joined on 04/23/11
last updated 05/13/12
We have come to be danced
not the pretty dance
not the pretty pretty, pick me, pick me dance
but the claw our way back into the belly
of the sacred, sensual animal dance
the unhinged, unplugged, cat is out of its box dance
the holding the precious moment in the palms
of our hands and feet dance
We have come to be danced
not the jiffy booby, shake your booty for him dance
but the wring the sadness from our skin dance
the blow the chip off our shoulder dance
the slap the apology from our posture dance
We have come to be danced
not the monkey see, monkey do dance
one, two dance like you
one two three, dance like me dance
but the grave robber, tomb stalker
tearing stabs and scars open dance
the rub the rhythm raw against our souls dance
We have come to be danced
not the nice invisible, self conscious shuffle
but the matted hair flying, voodoo mama
shaman shakin’ ancient bones dance
the strip us from our casings, return our wings
sharpen our claws and tongues dance
the shed dead cells and slip into
the luminous skin of love dance
We have come to be danced
not the hold our breath and wallow in the shallow end of the floor dance
but the meeting of the trinity: the body, breath & beat dance
the shout hallelujah from the top of our thighs dance
the mother may I?
yes you may take 10 giant leaps dance
the Olly Olly Oxen Free Free Free dance
the everyone can come to our heaven dance
We have come to be danced
where the kingdom’s collide
in the cathedral of flesh
to burn back into the light
to unravel, to play, to fly, to pray
to root in skin sanctuary
we have come to be danced
WE HAVE COME
~Jewel Mhathieson
Aywah Dance Company, Trance dance video
www.youtube.com/watch
1910, Believe it or not, Tribal fusion is not as new as we think it is.The 'Modern Dance' movement of the early 1900's had strong middle eastern influences.
!!BlackSheep, Tribal Fest & Kajira D.,
Bay Area Bellydance,
Belly Dance Electronica,
Burning Bellies,
Crafty Vixens,
DIY/ Bellydance on a Budget,
East Bay Bellydance,
Improv Tribal Style Bellydance,
Mardi Love's Mahhhrvelous Musings,
Mira Betz kicks A$$!!!,
Rachel Brice,
The Everyday Bellydancer,
The Indigo Belly Dance,
Ultra Gypsy,
UNMATA,
Zoe Jakes,
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Some dancers are just very strong in their art, grounded in self awareness & passionate about learning. I recommend these videos & dancers, varying in style. Until Ms. Betz makes a video, these are my faves.
From A to Zoe: Great breakdown of moves and intention. 4 DVD set from a wonderful dancer.
Style: fusion
www.youtube.com/watch Get from www.cheekygirlsproductions.com/st...php
Turkish Roman Dance with Elizabeth Strong: A very playful style of dance, infused with humor and earthy joy. Strong is a fabulous dancer. She went to the source for the dances.
Style: Turkish Rom
www.youtube.com/watch Buy direct from her at www.strongdancer.com/home.html
ZILLS
If you want to play well you must love your instrument. I recommend Saroyan zills. They are the best out there, and have a wide range of tones that ring true, clear and lovely. These are sound files for each zill. It is best if you go to a festival that Saroyan venders at and play each one.
www.artemisimports.com/zills/
The Dums & Teks of Belly Dance
All finger cymbal rhythms for belly dance can be broken-down into combinations of doubles or triplets. The easiest to begin with are beats that you can clap sequences of 4 twice to. That is called a 4/4 rhythm. You can practice zills to any music with this rhythm. The main down beat in these rhythms is called a ‘Dum‘, and high beats a ‘Tek’ Always listen for the down beat ‘Dum’ and start with your dominant hand, (right?):
One.......Two......Three.......Four.......
One and two and three and four and (or pause)
Dum Tek Dum Tek Dum Tek Dum (tek or pause)
One and Two and Three and Four and
1.....2.....1......2.....1......2.....1......2
R.....L.....R.....L.....R......L.....R.....L
Doubles
1-2 1-2 1-2 1-2
R-L R-L R-L R-L
Try (((1-2 1-2 1-2 1- pause)))
Triplets
1-2-3 1-2-3 1-2-3 1-2-3
R-L-R R-L-R R-L-R R-L-R
Quads
1-2-3-4 1-2-3-4 1-2-3-4 1-2-3-4
R-L-R-L R-L-R-L R-L-R-L R-L-R-L
*There are also runs to practice for good muscle memory That work themselves into rhythms. 5’s, 6’s & 7’s. Advanced: fast 4‘s (quads)! All these can be incorporated into basic rhythms at anytime the music calls for it and the dancer wishes.
BALADI, is a very common 4/4 rhythm for belly dance. It is the easiest to recognize, learn and practice to. Here are some variations to play with. Very soon you will be mixing and improvising.
BALADI 3-1-3-1-3
1-2-3 1 1-2-3 1 1-2-3
R-L-R R R-L-R R R-L-R
3-5-5
1-2-3 1-2-3-4-5 1-2-3-4-5
R-L-R R-L-R-L-R R-L-R-L-R
3-5-1-3
1-2-3 1-2-3-4-5 1 1-2-3
R-L-R R-L-R-L-R R R-L-R
3-3-7
1-2-3 1-2-3 1-2-3-4-5-6-7
R-L-R R-L-R R-L-R-L-R-L-R
3-7-3
1-2-3 1-2-3-4-5-6-7 1-2-3
R-L-R R-L-R-L-R-L-R R-L-R
With Quads (harder)
4-4-7
1234 1234 1-2-3-4-5-6-7
RLRL RLRL R-L-R-L-R-L-R
4-7-4
1234 1-2-3-4-5-6-7 1234
RLRL R-L-R-L-R-L-R RLRL
4-5-1-4
1234 1-2-3-4-5 1 1234
RLRL R-L-R-L-R R RLRL
Ouch!
Next…
More Rhythms
Here are some other very common rhythms for belly dance. This is by no means a comprehensive list, but a good starting point. It is good form to play the right rhythm to your song. Playing triplets is easiest, but won’t work for everything. Knowing your ’Dums & Teks’ is essential for good dancing and good zilling (especially at the same time). If you get lost, stop and find the ‘Dum’. Or drop the zills and just dance!
CHIFTITELLI 1-3-1-3-1-3-3-3
1 1-2-3 1 1-2-3 1 1-2-3 1-2-3 1-2-3
R R-L-R R R-L-R R R-L-R R-L-R R-L-R
MAULFOUF 1-2-2
1 1-2 1-2
(Variations in tone/zill position make this more interesting)
KARSHILIMA 1-3-3-2-1-1-1
1 1-2-3 1-2-3 1-2 1 1 1 (1 1 1 can be tap, tap R)
R R-L-R R-L-R R-L R R R
Beyond Dum & Tek, Variations in ring tone
Bell ~A normal strike. It sounds like the ting of a bell
Clap ~Fingers against zills for a flat sound
Tick ~Hands curled. Thumb zill striking the edge of the finger cymbal
Ring ~Strike & shake 1 hand
Double Ring ~Strike & shake 1 hand within the other.
All that said; I am not a musician, do not know how to read music and am totally bilaterally challenged. If you want to be truly awesome at this I recommend you do learn more about middle eastern music and rhythm. It will help your dancing. Below are some great resources for becoming astounding.
There is nothing more hypnotic then seeing a good dancer who can really play!
ZILL STUDY
Mary Ellen Donald
Mary Ellen is an astonishing middle eastern percussionist. She is blind and has been teaching drum & zills in the East Bay for over 40 years. Her series of four CD‘s are a huge asset to both dance and zill. The two beginner-level ones are played slowly and simply, so beginners can hear and play along..
Her 'Middle Eastern Rhythms' is a Series Of CD‘s for practice
(510) 654-DRUM
www.maryellendonald.com
Uncle Mafufo ~ Zills and Drums: Thrilling, Chilling Zilling CD
He provides clear information about how the rhythms relate to Middle Eastern music as well as the beauty of the rhythms themselves. He put some of his knowledge about playing Doumbek, Frame Drums and Finger Cymbals (Zills) on DVDs and CDs.
www.awmiv.com/WebStore/Un...-Zilling.htm
Brothers Of The Baladi
Basic Middle Eastern Rhythms
Volume 1. Featuring Michael Beach, the percussionist for Brothers Of The Baladi. Rhythms included are maqsoum, chiftetelli, masmoudi kabir, karsilama, and more.
www.baladi.com
DVD’s on Amazon
Killer Ziller: Belly Dance Finger Cymbals Starring Michelle Joyce (2008)
Finger Cymbals for Belly Dance - Tobias Roberson with Rachel Brice & Mardi Love (2006)
Zill Drills, Susu Pampanin -For advanced level skill building
about me
I began belly dancing when I was 9. The Bay Area in the 70’s experienced an explosion of creativity around many things, one of which was middle eastern dance. I formed a lifelong passion for belly dance after seeing it performed in the grand living room of the communal house I grew up in. I was soon taking private lessons. Over the years, I have been blessed to have learned from some of best dancers in the Sf/Bay Area. Some are renowned for their ongoing dedication to teaching this beautiful art. All were amazing and powerful women. Many choreograph, teach and perform today.
In my dance journey I’ve danced whenever I could; at parties, festivals, gatherings, for family and friends. I enjoyed using my dance skills in rituals like ‘The Spiral Dance‘ in SF. I never stop learning and dancing. always holding the essence of belly dance as my guiding practice.
In the last few years I’ve led workshops in my home, and taught 4th-7th grade girls in ASP at my daughters charter school. I am now giving the class through East Bay Freeskool which I have wanted to do for many years. I have never charged money for teaching, because of the pleasure in sharing, and for appreciation of teachers who gave me this wonderful gift...
Free
Below you will find women I have had the pleasure of learning Middle Eastern dance arts from. They have all shaped me as much in life as in dance. All are amazing powerful women.
Sat, April 23, 2011 - 11:08 AM
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Not a dance teacher, but an inspired musical one. She is a ‘Nationally acclaimed author, instructor, and performer in Middle Eastern Percussion’. Mary Ellen taught me rhythm for zills, and taught my son to drum. This amazing woman has been teaching middle eastern rhythm, zills and drumming for over 40 years. She is the heartbeat of belly dance for many musicians and dancers. She has written and published many instructional books on drums and zills for dancers and has many music CD’s of incredible music to dance to. She also throws a great party.
She teaches drum and zills from her home in Oakland.
www.maryellendonald.com
(510) 654-DRUM
Sat, April 23, 2011 - 11:04 AM
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Luna is my most recent teacher. Her holistic approach to dance helped me to put things together that had not connected for me before. She taught me how to execute clean movements, change levels, mindfully layer, and mix it up. She gave me valuable info on clean performance, and expression. She taught me intention. Luna is a great belly dancer and choreographer. She has followed her passion for authentic world dances. She is the founder and Artistic Director of, Lunatique and Shuvani, a teacher and performer of Romani "Gypsy" Trail dances.
She was teaching classes at Ashkenaz in Berkeley last I checked, but seems to be working on other projects now.
Sat, April 23, 2011 - 11:03 AM
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My favorite teacher, because she was so spirited and playful. Sharlyn taught me; veil, solo improvisation, Persian hands and spinning without getting dizzy. She said “the hands of a Persian dancer are like little birds. A Persian dancer can do an entire dance just with her hands”. Sharlyn founded the ‘Afsaneh Art & Culture Society’ and performs Persian dance with ‘Ballet Afsenah’ of San Francisco. they have produced critically acclaimed programs for San Francisco's M.H. De Young Museum and the Cabrillo Music Festival. They have been featured regularly in San Francisco’s Ethnic Dance Festival at the Palace of Fine Arts Theater, and have collaborated with Cal Performances presenting 'Dances of the Silk Road' at UC Berkeley's Zellerbach Hall and ‘Festival of the silk road’ in San Jose. Ballet Afsaneh now has a dance university, and a world dance kids program.
Afsaneh Art & Culture Society (415)488-0944
www.dancesilkroad.org
Sat, April 23, 2011 - 10:56 AM
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Katarina was authentic, and disciplined. I identify more now with her steady dedication to the origins of belly dance. She was strict with me, but I could see how good her teaching was, so I showed up, and worked hard. She gifted me advanced classes, pulling me into troupe Inanna, and performance. She made me aware of the origin dances, the songs and rituals of belly dance. She taught me the traditional words, and reverence for the true spirit of the dance. Sharing these things made her light up. She is an incredibly well respected teacher in the dance community.
Katarina performed throughout the US and Europe. She studied/taught Moroccan social and trance dances, Near Eastern, Balkan music and dance. She formed the dance companies Inanna and Aywah!
Aywah! was influential, turning out some of the best dancers in the Bay Area, including Mira Betz, Elizabeth Strong, and several members of Ballet Afsaneh. She still teaches dance in Northern CA.
Mira Betz and Elizabeth Strong teach in Oakland. Mira has her contact info.
Sat, April 23, 2011 - 10:54 AM
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Najia was a passionate and energetic dancer. She demanded a lot from her students. I was14 when I took her class. She taught me basic choreography, transitions, and my left foot from my right. She had custom zills manufactured for her and her students. Katarina got my extra pair off me with great excitement. I still have my originals. Najia is a well known and respected dancer from the 60's & 70‘s. Now and ever the diva, She writes for Gilded Serpent Magazine, and teaches privately.
~photo by Jules Kliot of Berkeley
Sat, April 23, 2011 - 10:50 AM
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Dianne was my first good dance teacher.
She taught me drum solo, floor work and veil. I bought my first dance skirt from her, she’d made it herself and taught me the pattern. I was 11 and the class was free for me. Shortly after teaching this class, she left to tour Europe as a belly dance performer. She was a well known dancer and although she died sometime ago, in some dance circles she is still well remembered and loved. I still have the skirt.
Sat, April 23, 2011 - 10:49 AM
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