joined on 04/23/11
last updated 04/27/13
We have come to be danced
not the pretty dance
not the pretty pretty, pick me, pick me dance
but the claw our way back into the belly
of the sacred, sensual animal dance
the unhinged, unplugged, cat is out of its box dance
the holding the precious moment in the palms
of our hands and feet dance
We have come to be danced
not the jiffy booby, shake your booty for him dance
but the wring the sadness from our skin dance
the blow the chip off our shoulder dance
the slap the apology from our posture dance
We have come to be danced
not the monkey see, monkey do dance
one, two dance like you
one two three, dance like me dance
but the grave robber, tomb stalker
tearing stabs and scars open dance
the rub the rhythm raw against our souls dance
We have come to be danced
not the nice invisible, self conscious shuffle
but the matted hair flying, voodoo mama
shaman shakin’ ancient bones dance
the strip us from our casings, return our wings
sharpen our claws and tongues dance
the shed dead cells and slip into
the luminous skin of love dance
We have come to be danced
not the hold our breath and wallow in the shallow end of the floor dance
but the meeting of the trinity: the body, breath & beat dance
the shout hallelujah from the top of our thighs dance
the mother may I?
yes you may take 10 giant leaps dance
the Olly Olly Oxen Free Free Free dance
the everyone can come to our heaven dance
We have come to be danced
where the kingdom’s collide
in the cathedral of flesh
to burn back into the light
to unravel, to play, to fly, to pray
to root in skin sanctuary
we have come to be danced
WE HAVE COME
~Jewel Mhathieson, poet
Trance dance, Aywah Dance Co
www.youtube.com/watch
Some dancers are just very strong in their art, grounded in self awareness & passionate about learning. I recommend these videos & dancers, varying in style. Until Ms. Betz makes a video, these are my faves.
From A to Zoe: Great breakdown of moves and intention. 4 DVD set from a wonderful dancer.
Style: fusion
www.youtube.com/watch Get from www.cheekygirlsproductions.com/st...php
Turkish Rom Dance with Elizabeth Strong: A very playful style of dance, infused with humor and earthy joy. Strong is a fabulous dancer. She went to the source for the dances.
Style: Turkish Rom
www.youtube.com/watch Buy direct from her at www.strongdancer.com/home.html
1910, Believe it or not, Tribal fusion is not as new as we think it is.The 'Modern Dance' movement of the early 1900's had strong middle eastern influences.
Bay Area Bellydance,
Belly Dance Electronica,
Bellydance Drills and Choreography,
BlackSheep, Tribal Fest & Kajira D.,
Burning Bellies,
Crafty Vixens,
DIY/ Bellydance on a Budget,
East Bay Bellydance,
Facebook Refugees on Tribe.net,
Improv Tribal Style Bellydance,
Jerry's Kids,
Mardi Love's Mahhhrvelous Musings,
Mira Betz kicks A$$!!!,
Permaculture,
Rachel Brice,
The Everyday Bellydancer,
The Indigo Belly Dance,
Ultra Gypsy,
UNMATA,
Zoe Jakes,
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about me
I began belly dancing when I was 9. The Bay Area in the 70’s experienced an explosion of creativity around many things, one of which was middle eastern dance. I formed a lifelong passion for belly dance after seeing it performed in the grand living room of the communal house I grew up in. I was soon taking private lessons. Over the years, I have been blessed to have learned from some of best dancers in the Sf/Bay Area. Some are renowned for their ongoing dedication to teaching this beautiful art. All were amazing and powerful women. Many choreograph, teach and perform today.
In my dance journey I’ve danced whenever I could; at parties, festivals, gatherings, for family and friends. I enjoyed using my dance skills in rituals like ‘The Spiral Dance‘ in SF. I never stop learning and dancing. always holding the essence of belly dance as my guiding practice.
In the last few years I’ve led workshops in my home, and taught 4th-7th grade girls in ASP at my daughters charter school. I am now giving the class through East Bay Freeskool which I have wanted to do for many years. I have never charged money for teaching, because of the pleasure in sharing, and for appreciation of teachers who gave me this wonderful gift...
Free
Before Fat Chance, Before ATS, Katarina Burda's authentic tribal dances taught me things I am still thanking her for. That's me in the purple.
MAY
TRIBALFEST! (((Best fest ever!!!))) *Yearly-ongoing
www.blacksheepbellydance.com/tf1...html
JUNE
Cultural Nights series
Hopefully this is a yearly event!
Join Helene and Anar Dana for a potluck and look at films, photos, costumes, listen to music, discuss history, ethnography and politics of one of the regions from the Project. If you can, bring something for the potluck that fits the evening's theme. $10 for Project Members, $15 for General Public
For more information about the Cultural Nights ymlp.com/zWekeh
JULY
2nd weekend every year
Oregon Country Fair! Venita OR
Gypsy Caravan tent all day. Or the other wonderful things that go on at this incredible event.
www.oregoncountryfair.org/
Middle East Music and Dance Camp -Mendocino Woodlands
July, yearly
www.middleeastcamp.com/Middle...no.html
In the early days of Bay area Bellydance, vintage silk, silver, cool ethnic coins & mirrored ornaments were cheap and easy to come by. Dancers would creatively & lovingly combine these beautiful things into wearable works of art. These costumes were not only an expression of the dancers taste, but gave a completely sensual experience to her and her audience as she danced. Sound, texture, weight, and movement were the embodiment of sensuality, every step revealing the dancers ability to weave gravity's call into a tapestry of delight.
It is a dance in which earth and gravity are resisted then embraced in intricate patterns. The dancer makes it artful and personal. She is the trickster conduit between earth and sky. Tassels, fringe, coin, and fabric cleverly tease the ground as the dancer moves through her shimmies and undulations. These embellishments should be chosen with pleasure in mind.
Creating a costume that is as sensual to wear as it is to look at is an expression of your pleasure. When finding ornaments it is important to remember that natural materials are better. They look, wear and sound much nicer then synthetic, tin and plastic dance clothes. These things are cheap and sparkly but do not give a pleasurable experience to the wearer. If you are not ready to take the plunge of creating an original, then combining authentic 'pieces' is a way to get your feet wet.
The beginning place:
Start with a good heavy hip belt. Your hips are your center of gravity and it feels indescribably good to have the weight of heavy coin here. Tassels are beautiful and swishy but do not give the same sensory feedback as gravity.
Here are some things to know:
Fake shiny foil coins should be avoided.
Real Egyptian coin is easy to come by and makes a pretty sound.
Some metal buttons (and even washers) are quite authentic/ethnic looking and have a great sound too.
You can make your own belt for less then buying one. Good metal coin belts are hard to find.
I have combed the web for years trying to find a real coin belt and found these amazing inexpensive treasures
www.missbellydance.com/Bellyd...136.htm you might need 2, it seems they only go so far wth the coinage...
For more inspiration on making your own pinterest.com/nouveauchim...e-costuming/
ZILLS
If you want to play well you must love your instrument. I recommend Saroyan zills. They are the best out there, and have a wide range of tones that ring true, clear and lovely. These are sound files for each zill. It is best if you go to a festival that Saroyan venders at and play each one.
desertveils.com.au/Zills.htm
The Dums & Teks of Belly Dance
All finger cymbal rhythms for belly dance can be broken-down into combinations of doubles or triplets. The easiest to begin with are beats that you can clap sequences of 4 twice to. That is called a 4/4 rhythm. You can practice zills to any music with this rhythm. The main down beat in these rhythms is called a ‘Dum‘, and high beats a ‘Tek’ Always listen for the down beat ‘Dum’ and start with your dominant hand, (right?):
One.......Two......Three.......Four.......
One and two and three and four and (or pause)
Dum Tek Dum Tek Dum Tek Dum (tek or pause)
One and Two and Three and Four and
1.....2.....1......2.....1......2.....1......2
R.....L.....R.....L.....R......L.....R.....L
Doubles
1-2 1-2 1-2 1-2
R-L R-L R-L R-L
Try (((1-2 1-2 1-2 1- pause)))
Triplets
1-2-3 1-2-3 1-2-3 1-2-3
R-L-R R-L-R R-L-R R-L-R
Quads
1-2-3-4 1-2-3-4 1-2-3-4 1-2-3-4
R-L-R-L R-L-R-L R-L-R-L R-L-R-L
*There are also runs to practice for good muscle memory That work themselves into rhythms. 5’s, 6’s & 7’s. Advanced: fast 4‘s (quads)! All these can be incorporated into basic rhythms at anytime the music calls for it and the dancer wishes.
BALADI, is a very common 4/4 rhythm for belly dance. It is the easiest to recognize, learn and practice to. Here are some variations to play with. Very soon you will be mixing and improvising.
BALADI 3-1-3-1-3
1-2-3 1 1-2-3 1 1-2-3
R-L-R R R-L-R R R-L-R
3-5-5
1-2-3 1-2-3-4-5 1-2-3-4-5
R-L-R R-L-R-L-R R-L-R-L-R
3-5-1-3
1-2-3 1-2-3-4-5 1 1-2-3
R-L-R R-L-R-L-R R R-L-R
3-3-7
1-2-3 1-2-3 1-2-3-4-5-6-7
R-L-R R-L-R R-L-R-L-R-L-R
3-7-3
1-2-3 1-2-3-4-5-6-7 1-2-3
R-L-R R-L-R-L-R-L-R R-L-R
With Quads (harder)
4-4-7
1234 1234 1-2-3-4-5-6-7
RLRL RLRL R-L-R-L-R-L-R
4-7-4
1234 1-2-3-4-5-6-7 1234
RLRL R-L-R-L-R-L-R RLRL
4-5-1-4
1234 1-2-3-4-5 1 1234
RLRL R-L-R-L-R R RLRL
Ouch!
Next…
More Rhythms
Here are some other very common rhythms for belly dance. This is by no means a comprehensive list, but a good starting point. It is good form to play the right rhythm to your song. Playing triplets is easiest, but won’t work for everything. Knowing your ’Dums & Teks’ is essential for good dancing and good zilling (especially at the same time). If you get lost, stop and find the ‘Dum’. Or drop the zills and just dance!
CHIFTITELLI 1-3-1-3-1-3-3-3
1 1-2-3 1 1-2-3 1 1-2-3 1-2-3 1-2-3
R R-L-R R R-L-R R R-L-R R-L-R R-L-R
MAULFOUF 1-2-2
1 1-2 1-2
(Variations in tone/zill position make this more interesting)
KARSHILIMA 1-3-3-2-1-1-1
1 1-2-3 1-2-3 1-2 1 1 1 (1 1 1 can be tap, tap R)
R R-L-R R-L-R R-L R R R
Beyond Dum & Tek, Variations in ring tone
Bell ~A normal strike. It sounds like the ting of a bell
Clap ~Fingers against zills for a flat sound
Tick ~Hands curled. Thumb zill striking the edge of the finger cymbal
Ring ~Strike & shake 1 hand
Double Ring ~Strike & shake 1 hand within the other.
All that said; I am not a musician, do not know how to read music and am totally bilaterally challenged. If you want to be truly awesome at this I recommend you do learn more about middle eastern music and rhythm. It will help your dancing. Below are some great resources for becoming astounding.
There is nothing more hypnotic then seeing a good dancer who can really play!
ZILL STUDY
Mary Ellen Donald
Mary Ellen is an astonishing middle eastern percussionist. She is blind and has been teaching drum & zills in the East Bay for over 40 years. Her series of four CD‘s are a huge asset to both dance and zill. The two beginner-level ones are played slowly and simply, so beginners can hear and play along..
Her 'Middle Eastern Rhythms' is a Series Of CD‘s for practice
(510) 654-DRUM
www.maryellendonald.com
Uncle Mafufo ~ Zills and Drums: Thrilling, Chilling Zilling CD
He provides clear information about how the rhythms relate to Middle Eastern music as well as the beauty of the rhythms themselves. He put some of his knowledge about playing Doumbek, Frame Drums and Finger Cymbals (Zills) on DVDs and CDs.
www.awmiv.com/WebStore/Un...-Zilling.htm
Brothers Of The Baladi
Basic Middle Eastern Rhythms
Volume 1. Featuring Michael Beach, the percussionist for Brothers Of The Baladi. Rhythms included are maqsoum, chiftetelli, masmoudi kabir, karsilama, and more.
www.baladi.com
DVD’s on Amazon
Killer Ziller: Belly Dance Finger Cymbals Starring Michelle Joyce (2008)
Finger Cymbals for Belly Dance - Tobias Roberson with Rachel Brice & Mardi Love (2006)
Zill Drills, Susu Pampanin -For advanced level skill building
Below you will find women I have had the pleasure of learning Middle Eastern dance from. They have all shaped me as much in life as in dance. All are amazing powerful women.
Sat, April 23, 2011 - 11:08 AM
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Not a dance teacher, but an inspired musical one. She is a ‘Nationally acclaimed author, instructor, and performer in Middle Eastern Percussion’. Mary Ellen taught me rhythm for zills, and taught my son to drum. This amazing woman has been teaching middle eastern rhythm, zills and drumming for over 40 years. She is the heartbeat of belly dance for many musicians and dancers. She has written and published many instructional books on drums and zills for dancers and has many music CD’s of incredible music to dance to. She also throws a great party.
She teaches drum and zills from her home in Oakland.
www.maryellendonald.com
(510) 654-DRUM
Sat, April 23, 2011 - 11:04 AM
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Luna is my most recent teacher. Her holistic approach to dance helped me connect the dots. She taught me how to execute clean movements, change levels, mindfully layer, and mix it up. She gave me valuable info on performance, and expression. She taught me intention. Luna is a great belly dancer and choreographer.
Sat, April 23, 2011 - 11:03 AM
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My favorite teacher, because she was so spirited and playful. Sharlyn taught me; veil, solo improvisation, Persian hands and spinning without getting dizzy. She said “the hands of a Persian dancer are like little birds. A Persian dancer can do an entire dance just with her hands”. Sharlyn founded the ‘Afsaneh Art & Culture Society’ and performs Persian dance with ‘Ballet Afsenah’ of San Francisco. they have produced critically acclaimed programs for San Francisco's M.H. De Young Museum and the Cabrillo Music Festival. They have been featured regularly in San Francisco’s Ethnic Dance Festival at the Palace of Fine Arts Theater, and have collaborated with Cal Performances presenting 'Dances of the Silk Road' at UC Berkeley's Zellerbach Hall and ‘Festival of the silk road’ in San Jose. Ballet Afsaneh now has a dance university, and a world dance kids program.
Afsaneh Art & Culture Society (415)488-0944
www.dancesilkroad.org
Sat, April 23, 2011 - 10:56 AM
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Katarina was/is authentic, and disciplined. I identify more now with her steady dedication to the origin dances. Although she was strict with me, I could see how amazingly good she was. She gifted me advanced classes, pulling me into troupe Inanna, and performance. She taught dances, songs and rituals of the middle east. She made me aware of the roots of belly dance. Sharing her love of dance made her light up. She is an incredibly well respected teacher in the dance community. "Katarina performed throughout the US and Europe. She studied/taught Moroccan social and trance dances, Near Eastern, Balkan music and dance. She formed the dance companies Inanna and Aywah!"
Aywah! was influential, turning out some of the best dancers in the Bay Area, including Mira Betz, Elizabeth Strong, and several members of Ballet Afsaneh. She still teaches dance in Northern CA.
Sat, April 23, 2011 - 10:54 AM
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Najia was a passionate and energetic dancer. She demanded a lot from her students. I was14 when I took her class. She taught me basic choreography, transitions, and my left foot from my right. She had custom zills manufactured for her and her students. Katarina got my extra pair off me with great excitement. I still have my originals. Najia is a well known and respected dancer from the 60's & 70‘s. Now and ever the diva, She writes for Gilded Serpent Magazine, and teaches privately.
~photo by Jules Kliot of Berkeley
Sat, April 23, 2011 - 10:50 AM
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Dianne was my first good dance teacher.
She taught me drum solo, floor work and veil. I bought my first dance skirt from her, she’d made it herself and taught me the pattern. I was 11 and the class was free for me. Shortly after teaching this class, she left to tour Europe as a belly dance performer. She was a well known dancer and although she died sometime ago, in some dance circles she is still well remembered and loved. I still have the skirt.
Sat, April 23, 2011 - 10:49 AM
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