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Moonmoms Belly Dance Page

offline 2 friends
joined on 04/23/11
last updated 04/27/13
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We Have Come To Be Danced

We have come to be danced
not the pretty dance
not the pretty pretty, pick me, pick me dance
but the claw our way back into the belly
of the sacred, sensual animal dance
the unhinged, unplugged, cat is out of its box dance
the holding the precious moment in the palms
of our hands and feet dance

We have come to be danced
not the jiffy booby, shake your booty for him dance
but the wring the sadness from our skin dance
the blow the chip off our shoulder dance
the slap the apology from our posture dance

We have come to be danced
not the monkey see, monkey do dance
one, two dance like you
one two three, dance like me dance
but the grave robber, tomb stalker
tearing stabs and scars open dance
the rub the rhythm raw against our souls dance

We have come to be danced
not the nice invisible, self conscious shuffle
but the matted hair flying, voodoo mama
shaman shakin’ ancient bones dance
the strip us from our casings, return our wings
sharpen our claws and tongues dance
the shed dead cells and slip into
the luminous skin of love dance

We have come to be danced
not the hold our breath and wallow in the shallow end of the floor dance
but the meeting of the trinity: the body, breath & beat dance
the shout hallelujah from the top of our thighs dance
the mother may I?
yes you may take 10 giant leaps dance
the Olly Olly Oxen Free Free Free dance
the everyone can come to our heaven dance

We have come to be danced
where the kingdom’s collide
in the cathedral of flesh
to burn back into the light
to unravel, to play, to fly, to pray
to root in skin sanctuary
we have come to be danced
WE HAVE COME

~Jewel Mhathieson, poet

Trance dance, Aywah Dance Co
www.youtube.com/watch

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Isadora Duncan

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Taktaba: Free Video Tutorials

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Good DVD'S

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1910, Believe it or not, Tribal fusion is not as new as we think it is.The 'Modern Dance' movement of the early 1900's had strong middle eastern influences.
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My Dance Bio

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Me, troupe Inanna -Kat Burda 1980's

Before Fat Chance, Before ATS, Katarina Burda's authentic tribal dances taught me things I am still thanking her for. That's me in the purple.
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Mira!!!

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(((Upcoming Events)))

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Me 1973

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Costuming DIY: sensuality in all things

In the early days of Bay area Bellydance, vintage silk, silver, cool ethnic coins & mirrored ornaments were cheap and easy to come by. Dancers would creatively & lovingly combine these beautiful things into wearable works of art. These costumes were not only an expression of the dancers taste, but gave a completely sensual experience to her and her audience as she danced. Sound, texture, weight, and movement were the embodiment of sensuality, every step revealing the dancers ability to weave gravity's call into a tapestry of delight.

It is a dance in which earth and gravity are resisted then embraced in intricate patterns. The dancer makes it artful and personal. She is the trickster conduit between earth and sky. Tassels, fringe, coin, and fabric cleverly tease the ground as the dancer moves through her shimmies and undulations. These embellishments should be chosen with pleasure in mind.

Creating a costume that is as sensual to wear as it is to look at is an expression of your pleasure. When finding ornaments it is important to remember that natural materials are better. They look, wear and sound much nicer then synthetic, tin and plastic dance clothes. These things are cheap and sparkly but do not give a pleasurable experience to the wearer. If you are not ready to take the plunge of creating an original, then combining authentic 'pieces' is a way to get your feet wet.

The beginning place:
Start with a good heavy hip belt. Your hips are your center of gravity and it feels indescribably good to have the weight of heavy coin here. Tassels are beautiful and swishy but do not give the same sensory feedback as gravity.

Here are some things to know:
Fake shiny foil coins should be avoided.
Real Egyptian coin is easy to come by and makes a pretty sound.
Some metal buttons (and even washers) are quite authentic/ethnic looking and have a great sound too.
You can make your own belt for less then buying one. Good metal coin belts are hard to find.

I have combed the web for years trying to find a real coin belt and found these amazing inexpensive treasures
www.missbellydance.com/Bellyd...136.htm
you might need 2, it seems they only go so far wth the coinage...

For more inspiration on making your own pinterest.com/nouveauchim...e-costuming/

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Buy Quality Dancewear Here

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Zill Tutorial & Patterns

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My Dance Teachers

Below you will find women I have had the pleasure of learning Middle Eastern dance from. They have all shaped me as much in life as in dance. All are amazing powerful women.
Sat, April 23, 2011 - 11:08 AM permalink - 0 comments
 
Not a dance teacher, but an inspired musical one. She is a ‘Nationally acclaimed author, instructor, and performer in Middle Eastern Percussion’. Mary Ellen taught me rhythm for zills, and taught my son to drum. This amazing woman has been teaching middle eastern rhythm, zills and drumming for over 40 years. She is the heartbeat of belly dance for many musicians and dancers. She has written and published many instructional books on drums and zills for dancers and has many music CD’s of incredible music to dance to. She also throws a great party.
She teaches drum and zills from her home in Oakland.
www.maryellendonald.com
(510) 654-DRUM
Sat, April 23, 2011 - 11:04 AM permalink - 0 comments
 
Luna is my most recent teacher. Her holistic approach to dance helped me connect the dots. She taught me how to execute clean movements, change levels, mindfully layer, and mix it up. She gave me valuable info on performance, and expression. She taught me intention. Luna is a great belly dancer and choreographer.
Sat, April 23, 2011 - 11:03 AM permalink - 0 comments
 
My favorite teacher, because she was so spirited and playful. Sharlyn taught me; veil, solo improvisation, Persian hands and spinning without getting dizzy. She said “the hands of a Persian dancer are like little birds. A Persian dancer can do an entire dance just with her hands”. Sharlyn founded the ‘Afsaneh Art & Culture Society’ and performs Persian dance with ‘Ballet Afsenah’ of San Francisco. they have produced critically acclaimed programs for San Francisco's M.H. De Young Museum and the Cabrillo Music Festival. They have been featured regularly in San Francisco’s Ethnic Dance Festival at the Palace of Fine Arts Theater, and have collaborated with Cal Performances presenting 'Dances of the Silk Road' at UC Berkeley's Zellerbach Hall and ‘Festival of the silk road’ in San Jose. Ballet Afsaneh now has a dance university, and a world dance kids program.
Afsaneh Art & Culture Society (415)488-0944
www.dancesilkroad.org
Sat, April 23, 2011 - 10:56 AM permalink - 0 comments
 
Katarina was/is authentic, and disciplined. I identify more now with her steady dedication to the origin dances. Although she was strict with me, I could see how amazingly good she was. She gifted me advanced classes, pulling me into troupe Inanna, and performance. She taught dances, songs and rituals of the middle east. She made me aware of the roots of belly dance. Sharing her love of dance made her light up. She is an incredibly well respected teacher in the dance community. "Katarina performed throughout the US and Europe. She studied/taught Moroccan social and trance dances, Near Eastern, Balkan music and dance. She formed the dance companies Inanna and Aywah!"
Aywah! was influential, turning out some of the best dancers in the Bay Area, including Mira Betz, Elizabeth Strong, and several members of Ballet Afsaneh. She still teaches dance in Northern CA.
Sat, April 23, 2011 - 10:54 AM permalink - 0 comments
 
Najia was a passionate and energetic dancer. She demanded a lot from her students. I was14 when I took her class. She taught me basic choreography, transitions, and my left foot from my right. She had custom zills manufactured for her and her students. Katarina got my extra pair off me with great excitement. I still have my originals. Najia is a well known and respected dancer from the 60's & 70‘s. Now and ever the diva, She writes for Gilded Serpent Magazine, and teaches privately.


~photo by Jules Kliot of Berkeley
Sat, April 23, 2011 - 10:50 AM permalink - 0 comments
 
Dianne was my first good dance teacher.
She taught me drum solo, floor work and veil. I bought my first dance skirt from her, she’d made it herself and taught me the pattern. I was 11 and the class was free for me. Shortly after teaching this class, she left to tour Europe as a belly dance performer. She was a well known dancer and although she died sometime ago, in some dance circles she is still well remembered and loved. I still have the skirt.
Sat, April 23, 2011 - 10:49 AM permalink - 0 comments
 
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