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"Artemis - Turkish Style Belly Dance" Review
Mon, June 26, 2006 - 12:01 AMThe video starts with an introductory description of Turkish Oriental Style. Artemis points out the similarities and the differences between the Turkish Oriental and the Egyptian Oriental Styles, using excerpts from the "Bellydance!" and the "Second Awards of Belly Dance" to illustrate her observations.
Music and Rhythm
Artemis introduces us to the 9/8 family of rhythms, specifically the Karsilama, and makes an important distinction between the Romani Karsilama and the Cabaret Karsilama, and how the difference between them affects the dance.
Isolations
There are total of 9 isolations presented in this section. Artemis shows each isolation from 3 different angles (front, side and back), her explanations are clear and she uses lots of imagery and creative ideas to get her instructions across. Most isolations are demonstrated to both the slow and the fast versions of Karsilama, and although most of the isolations would be familiar even to a beginner level student, they are tweaked to hit the 9/8 accents. The isolations are: head slides, shoulder shifts, shoulder shimmy, shoulder rolls, abdominal undulation top to bottom, pelvic isolation 12 o'clock up, knee-driven hip shimmy, hip circle, hip circle with knee bounce.
Turns
Artemis teaches 2 types of turns: 3 step to 9/8 with accent variations and the barrel turn. I was particularly fond of Artemis's instructions on spotting during barrel turn.
Steps
Once again Artemis demonstrates how familiar steps are adjusted to fit into both slow and fast Karsilama. She starts from the basic step (front-back-back-front) with embellishments, then proceeds to step-hip, travelling shimmies, step-together-step and travelling full-body undulations. Then Artemis teaches knee lifts and Eva hops. In the end Artemis combines the steps together, first to the slow and then the fast rhythm.
Gestures
In this section Artemis presents gestures that are intrinsic to Turkish Oriental style. She warns from over-indulging in gesturing, and suggests to rather use them as accents. She also points out on cultural differences between Greek, Turkish and Egyptian audiences that the dancer should be aware of.
Combinations
Artemis teaches 4 slow combinations, that employ many of the movements reviewed in previous sections. Then she moves on to teaching a short choreography to a fast Karsilama, using a very famous song 'Rompi-Rompi'.
Performance
This is by far my favorite part of the video. Artemis first dances to 'Rompi-Rompi' and then to 'Keman Karsilama'. Her performance is passionate, joyful, truly captivating, and it showcases her superior sense of music and rhythm, vast movement vocabulary and her zill virtuosity. Through her dance you could see the profoundness and uniqueness of Turkish style.
Notes on Production
As with other IAMED instructional DVDs the production quality is superb. The decor is unobtrusive, and Artemis's leotard is in good contrast with the background, we can clearly hear her voice and the camera focuses exactly on the parts of the body that are of interest to dancers. The credits contain information on music, costume, photography, as well as contact information of various artists. Total run-time is 2 hours!
Wishlist
I wish that Artemis would not look so often on the floor while demostrating the moves. She does look at her audience during verbal explanations, and she looks just ahead of her when she demonstrates the moves from the side and the back, however she often does not maintain visual contact with the camera while showing the moves from the front. I found it very distracting at the beginning, but got used to it quickly. I also wish there has been a zill section. Artemis shows great zill proficiency (speed, tonalities, taste) and I wish we could learn more from her on the subject.
My last wish would be that the combination sections would have been shot in front of a mirror, so it would be easier to follow the steps.
In conclusion, I enjoyed Artemis's instructional style and her warm presence and I would recommend this video to anyone who wants to learn more about the Turkish Style of Oriental dance.
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Mon, August 14, 2006 - 12:24 PM
Yes, I got the Artemis dvd recently.
I thoroughly enjoyed it. I had been to a turkjsh dance workshop (the teachers were both Turkish) a few days prior, so it realy backed up a lot of thing I'd watched in the dvd. The production is excellent, well explained and vvery clear. loved the documentary part too. Lots of moves and combos, good discussion about cabaret /rom versions of the Karshilama. I first came across the rhythm when I s aw Dalia's Dunyavi Gypsy video. I enjoyed watching clips of Eva Cernik and sahra Saeeda (?) and looking at the differences between the two styles- Rgypyain and Tirkish. It was great when Artemis reiterated that no style is better than the other- a huge step forward. I was encouraged to seek out more on Turkish dance anthropology , after watching this dvd-and was so pleased to hear more about the Rom connection to Turkish dance. I feel a lot more empowered and confident about understanding more about Turkish/Turkish Rom dance. I would like to explor and experiement more with it, and work on a solo or more creative drill work with my students. I love Turkish dance . The Dance scene in the UK is more Egyptian -based; I'm not sure what iy's like in the US, but it is a shame not to explore Turkish dance and the invaluable contributions the Rom dancers / cengis made in,. spreading the dance otherwise it would have died out. There is a dearth of North=African dance specialists too, in the UK- so specialists like Artemis and others are very welcome ! Very useful points on gestures, and when not to perform them (depending on audience). I'd love to see something on floor work, zill work on a future dvd perhaps and maybe a look at costuming etc. This will be a popular dvd and a sound reference source for the future! Maureen |
