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Luz (formerly "Tasnim")

offline 57 friends
joined on 05/24/07
last updated 07/20/08
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photo credit www.stellarindigo.com
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photo credit: www.StellarIndigo.com
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A Lil about Lil "ol Me!

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about me
My bellydance instructors have been (In Cronilogical Order) Jannah, was my very first beginner teacher. She taught veil and zills and she intrigued me with her beautiful hand movements. Zenaide of Serena Studios; I went to her because I could only go to classes on the weekend as all the other weekday classes conflicted with the times I taught & trained clients. I'm so glad to have met her. She has a great teaching style. Lots of visualization. She makes you see the movement. She has a unique sense of humor and a great performer. Nourhan Sharif of the Egyptian Academy of Oriental Dance: I happened to luck out that Nourhan was teaching at one of the gyms where I worked. She is a stickler for form and technique. I was used to the looser styles of Jannah & Zenaide, so I was at first shocked by her drills. But it works. She'll drill you till it seems natural. She has great respect for Arabic culture and language. She cultivates a love of classic Arabic music in her students. Noora Aphrodite: Noora is a contemporary of Jehan, Zenaide & Shoshana from the Ibis days. As the designer for Decotach, I stumbled into meeting her at Rakasah. She had that gloriously beautiful gold costume at her table & I was riveted to it. I met her to purchase my 1st professional costume several weeks after Rakasah. I saw a video of her dancing and I was sold. She was a force to be reconned with. We soon made arrangements to barter fitness training for dance training. It's the best deal I ever made! As my personal dance coach I learned dance from the floor up! She want to see clarity in your dance and she knows how to get it. She didn't just make me a good bellydancer, but a well rounded dancer. All of my friends and fellow dancers have seen the difference that these privates have made in my dance. I recommend her for private couching. She'll bring out the Star in you! With Altagracia (The Caribbean Rose, who specializes in Spanish Arabic Fusion), I came back to my Latin roots, learning to fuse the love of the music that was pumped from my momma's radio as a child with the Arabic music I have grown to love as an adult. She has great patience and a giving teacher. She is very nurturing and will instill confidence in her students. We used the fan, mantilla, veil and skirt. It adds to your arsenal of weapons to use in your dance. Everyone should see her dance. Currently I am with Alchemy Tribal Collective under the direction of Sarah Johannson Locke. She has a very fluid Tribal Style. She has a less is more attitude. She puts great emphasis on the movement & the line it creates and where the energy is in the movement. She is an incredible visionary when creating her choreographies. I look forward to the mark she leaves on my dance.

Notable workshops: Nourhan Sharif for veilwork and cane, Mariano Parra, Flamenco choreographer & master teacher, Sharon Kihara of the Indigo. Heather Stants of Urban Tribal Dance Co.,Tamalyn Dallal's teacher's workshop, Rachel Brice's 5 day workshop in Costa Rica and with Kami Liddle, Jillina, Zoe Jakes in NYC.
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Dearest friends in dance. I have chosen to now use my given name for dance. I have given it much thought and although I still love the name Tasnim, it is not who I am.

My dance is now, more than ever an expression of who I am. I am not a Middle Eastern dance artist, Egyptian dancer, Turkish Dancer, Tribal dancer or Spanish Arabic dancer. I am an American of Hispanic descent dancing a fusion of all of the fore-mentioned forms n a contemporary world to traditional and contemporary music (taking a big breath here). I consider myself a Contemporary Bellydance Artist. I no longer wish to be put in a box, so I no longer need to hide behind a name that I have no real identity with. I am Luz. I always have been. I dance now under my name, Luz.

Now I won't feel so "Cybil" You can call me by the name my parents gave me lovingly at birth.

Peace (hopefully in our lifetime),
Luz

Fri, May 23, 2008 - 12:53 PM permalink - 2 comments
 
As we sit in our lives comfortable, we get a sense of security that perhaps the sins of our youth have passed us and that we have "gotten away" from our wrongs. I'm not talking murder, grand theft, etc. I am talking about the way we treat people. There is no place in your life that you can find comfort if there isn't amends. At some place there will be a place where you either see from the perspective of another the way you treated someone, or the way you have been treated. We feel victimized by someone, not knowing from where they have traveled. Perhaps they dealt with you, the way others have dealt with them. It was survival as they knew it.

How often have we heard the phrase "whatever goes around comes around"? Everyone thinks it means that evildoers will get there just rewards. Do we ever think of ourselves as such? Many times in various places in ours lives we do not see that we are being victimized, and definitely not that we are doing it to others. We are in the throws of survival and we excuse our actions as "I didn't know any better" or "I did the best I could at the time". Really we should say that "it was the best I could do at that time considering how selfish and insensitive to you I was at that moment in our lives". When we finally get to the place where we feel we truly are better people are do we go back and say to ones we've hurt "I'm sorry. That wasn't the best I could have done"?

We are more often than not, doing what is best for ourselves. Current friends and family may try to take away your regret by saying, you can't change the past: you can only do better now. That is true, but how often, really do we come to say to those we've wronged, "I'm sorry I treated you that way, I was an insensitive ass" when we finally see our error, many years later? Isn't it easier to convince ourselves that it's too late and that they should be over it by now? Why do we assume that everyone is so well adjusted?

Do we ever think that perhaps the way you broke a man's heart later affected his trust with other woman? Maybe a guy telling a woman "I think I'm falling in love with you" when really he should have more accurately said "I think I really want to screw you right now" somehow changed the way she trusts men or deals with them sexually? Maybe you said "I love you" or merely strung someone along, who truly cared about you, despite the fact that their feelings are not truly evenly reciprocated. You kept them around because you're tired of being alone, depressed or because you selfishly enjoy all the lavish attention they give you and convinced yourself you deserve it after all you've been through. Justified it by saying to yourself "I'm not asking them to give me anything." Do we ever think yelling at your kids at the top of your throat when you should have been yelling at your husband, or boss, or yourself, for your situation: may leave a lasting affect on the way they speak to their kids? Maybe trying to keep your kids in line by making them feel fear of you, makes them think that that is the way they can keep others in their lives in line. Maybe blowing off a pal after they have gotten married, got sick, had kids, or moved, because it would be more complicated to see each other made them feel abandoned, unloved, devalued. Maybe not going to your sister's (or brother’s or friend’s) house because you're mad at them for not repaying a loan (or ruining your car or telling you how they really feel about you, etc) affects your kids or their kids because they miss their auntie (uncle or friend)? Did you ever blow off a friend, mentor, teacher because they were successful at something that you didn’t have the discipline, money, energy or talent to do and convinced yourself that they got it like that because they were better-looking, better connected or just plain lucky? Have you ever left family, friends, mentors to dry in persuit of the "right people" to get somewhere in your career?

When do we ever say "I'm sorry; I am/was a jerk" and give others the opportunity to say "Yes, you are/were.?" Do we just hope it will go away, because everyone thinks you're wonderful now? Do we let our Alpha exterior crumble by admitting that we have been less than perfect? Does everyone wait until they are on their death beds or get a tumor to say I'm sorry? Do we wait till we are in a 12-step program and then skip out on treatment when they get to that step and try to fake sobriety without it?

To all or any of you, that I have hurt on my journey to this place were I am now, I say to you "I am heart fully sorry, I was/am a jerk". Please feel free to tell me I was. I am in a place in my life, where I can see, that I was not just a victim, but that I myself have been an enormous ass. If you have ever hurt me, I forgive you. I’m assuming that you are just not in an “enlightened” place and that perhaps some day or some lifetime, you’ll see it and learn that you too have to make amends or never be sober or at peace.
Fri, May 23, 2008 - 11:26 AM permalink - 0 comments
 
Dearest Friends in Dance, & the Arts. I am proud to announce the birth of my only son Fernando & his soul mate, Nina's first child, Pilot William. He was born February 8, 2008 at around 7:22pm. Pilot's weight was 7lbs 11 oz and measured 20.5inches long. Congratulations to them for the had work of Labor & bringing to the world such a beautiful boy. I can't wait to spoil him with too many kisses & hugs.
Sun, February 10, 2008 - 7:44 AM permalink - 2 comments
 
This Sunday I was privileged to dance in the ASAmed 2007 Studio Showcase with some brilliant dancers and teachers. I was surrounded by women whose work I admired greatly Gamila El Masri, Zenaide, Altagracia and Layla Mary. Each teacher has made many of their own stars. I was nervous to say the least, as I was scheduled to be the first dancer. I desired very much to leave a lasting impression on these esteemed ladies so that they would invite me again to dance at their events.

Backstage was delightful. Behind the doors of the deli portion of the Lafayette Grill, where the dancers were all primping, dressing, listening to their music on their I-pods and rehearsing, there was a lovely comroderie. The gals were all helping one another pin themselves into their costumes and offering one another calming thoughts or jokes to soothe their nerves. There were no Divas only women who loved bellydance in all its diversity and understood the horrible and wonderful nerves that come with performance.

The show was great. Being first I was privy to get dressed quickly and sit next to my BFF Connie, my 73-yr-young friend, who is a great life spectator and participant. Through my own excited eyes I watched beautiful performance after performance. (Unfortunately I missed most of the first act due the complexities of getting out of a much pinned and accessorized BD costume! Sorry I missed you girls, but I heard good things.)

Julia Kulakova and students did a very fresh Bollywood number. The lovely Jaklina did double veils and prancing in all of her 6 foot glory. Arella admirably did a very womanly Chifti. Athena Najat flew in from Greece the evening before and executed a beautiful double sword number. Mimi Fontana and Manhattan Tribal were entrancing in their synchronicity and in their colorful costuming. The balance number was visual art, as they did slow barrel turns with baskets swirled in 3 earthy colors, while the chorus did Mayas with swords atop their flower decorated heads. Their zills livened up the mood of the Grill. Zenaide, my former teacher, as always blew me away. She is a little powerhouse of energy. She is always produces a piece that is powered with all her womanliness and boundless dance talent. She rocked the audience. Gamila El Masri was next. Gamila makes art of “giving face”. She will make love to the audience as she works all her magic through her subtle but strong Egyptian movements. She knows that great bellydancers know that “Less is more”. Not to be outdone by any means, was the dynamic Altagracia, sauntering about in her sexy half turned hat swooshing around her amazing full skirt, showing full well that a real women can still turn heads even as a brand new grandma. She is a strong dancer and amazing performer. The face of her husband as she took over the dance floor was worth the price of admission. He was in love with her and it was written all over his proud face. Of course no showcase for a worthy cause is ever without Za-beth. Like a blonde bellydance storm, she comes on the dance floor, strutting with a feather boa in her wild hair. Fringe was a shaking on her sizable bosoms. She stood on a chair, shimming it to its timbers, making everyone smile at her efforts. Surely the woman enjoys life.

The very talented Layla Mary emceed the event working her charm and humor on a very receptive and lucky audience who braved what was supposed to be a very windy and blistery night. (I’m sorry I missed her number -so many safety pins.) I had a most wonderful time performing to two Egyptian pieces “Rakssate el nay” and “Amira” dedicated to my teachers. Even though I am enjoying learning Tribal style, I will always have a weakness, and addiction for the diversity of Egyptian music and the way it speaks to my body and soul. I enjoyed immensely the look of my student’s and Connie’s faces as I danced with the Nay in pure reverie; it’s as if they were dancing with me. I hope that I will be invited again to dance with such talented women again. I had a blast.

Thu, December 20, 2007 - 1:18 PM permalink - 0 comments
 
Never expect from others what YOU think is right, fair or what you yourself would do. You will go through life disappointed. Rather, enjoy life for its journey, be involved in each of its momments and see life for all it is, beautiful, hard, soft, invigorating, inviting and some cold . The only person you can control is you. Stay true to yourself despite how others treat you. Don't let advisaries embitter you. Learn the lesson taught by the hurt and see with new eyes. Remember not to be angry at the snake for swallowing the mouse. It is his nature. The bird eats the worm. The mouse still makes a warm bed for himself and has lovely life with his large family. The worm still weaves throughout the cool earth for veggetation to grow. Do not feel sorry for the mouse or the worm, they knew that this may occur, so they lived their life fullest, every day. Do not feel anger toward the snake or the bird, they need to eat, so that they too can live their life full.

(photo by Nick Arpino)
Thu, November 15, 2007 - 12:40 PM permalink - 2 comments
 
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