I had a wonderful time last night with a friend who is another opera freak. She got a coupon or something for two-for-one tickets for a showing of La Boheme. The show was put on by a small, local company called Theater Latte Da. Since it was a preview besides, tickets were REALLY cheap!
It was fabulous! The theater was the Southern -- small, intimate theater. They dealt with orchestration by having a small ensemble of piano, guitar, violin, and synthesizer / keyboard set to an accordion sound. It fit the story and the stage setting really well, and whoever did the re-arranging did a great job. All of the singing was fabulous. And, of course, the music is some of the most beautiful ever written.
A plus with the intimate setting is that none of the singers was miked. There was no sound system and no electrical ambiance to get in the way of the human voice.
The sets and costumes gave a feel of artsy types in Paris in the Thirties and Forties.
I was especially blown away by the tenor singing Rodolpho. A really good tenor who can really hit the high notes just about makes my toenails melt -- and this guy could do it. He had the resonance and the timbre to really add passion to the role. Interestingly, his blurb in the program was very short. The impression I got was that he is very young, maybe only a couple of years out of college. If so, I could have been watching a future star.
Of course, most of the audience was slightly weepy at the end. Part of the point of opera is getting to cry at the end when the soprano dies of consumption.
No dinner or drinks afterward, though, because it was a work night. Still a lovely evening. I'm glad I went.
Fri, October 26, 2007 - 7:15 PM
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It was fabulous! The theater was the Southern -- small, intimate theater. They dealt with orchestration by having a small ensemble of piano, guitar, violin, and synthesizer / keyboard set to an accordion sound. It fit the story and the stage setting really well, and whoever did the re-arranging did a great job. All of the singing was fabulous. And, of course, the music is some of the most beautiful ever written.
A plus with the intimate setting is that none of the singers was miked. There was no sound system and no electrical ambiance to get in the way of the human voice.
The sets and costumes gave a feel of artsy types in Paris in the Thirties and Forties.
I was especially blown away by the tenor singing Rodolpho. A really good tenor who can really hit the high notes just about makes my toenails melt -- and this guy could do it. He had the resonance and the timbre to really add passion to the role. Interestingly, his blurb in the program was very short. The impression I got was that he is very young, maybe only a couple of years out of college. If so, I could have been watching a future star.
Of course, most of the audience was slightly weepy at the end. Part of the point of opera is getting to cry at the end when the soprano dies of consumption.
No dinner or drinks afterward, though, because it was a work night. Still a lovely evening. I'm glad I went.
