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ISYS SATKHA SAERIPHIELLE

offline 95 friends
97 photos in album
joined on 06/22/06
last updated 09/12/09
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FAITH PRAYER

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The doctrine of Hermes* pax un

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AMAZIN GRACE ~ JOHN NEWTON TRIBES ~AN~

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THE FIRST MAN prema one

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Corinthians One: Thirteen LAW O TH HEART

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communalhealingsoundscapes & more

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Quando Desirimos Tener Amor darkmoonhymn

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SATKHA MOHINI DEVI

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KUBLA KHAN

[Coleridge Archive Home] [Electronic Text Center Home]
Samuel Taylor Coleridge
Kubla Khan
OR, A VISION IN A DREAM.
A FRAGMENT.

Coleridge's published note and another note on its composition

In Xanadu did Kubla Khan
A stately pleasure-dome decree :
Where Alph, the sacred river, ran
Through caverns measureless to man
Down to a sunless sea.
So twice five miles of fertile ground
With walls and towers were girdled round :
And there were gardens bright with sinuous rills,
Where blossomed many an incense-bearing tree ;
And here were forests ancient as the hills,
Enfolding sunny spots of greenery.

But oh ! that deep romantic chasm which slanted
Down the green hill athwart a cedarn cover !
A savage place ! as holy and enchanted
As e'er beneath a waning moon was haunted
By woman wailing for her demon-lover !
And from this chasm, with ceaseless turmoil seething,
As if this earth in fast thick pants were breathing,
A mighty fountain momently was forced :
Amid whose swift half-intermitted burst
Huge fragments vaulted like rebounding hail,
Or chaffy grain beneath the thresher's flail :
And 'mid these dancing rocks at once and ever
It flung up momently the sacred river.
Five miles meandering with a mazy motion
Through wood and dale the sacred river ran,
Then reached the caverns measureless to man,
And sank in tumult to a lifeless ocean :
And 'mid this tumult Kubla heard from far
Ancestral voices prophesying war !
The shadow of the dome of pleasure
Floated midway on the waves ;
Where was heard the mingled measure
From the fountain and the caves.
It was a miracle of rare device,
A sunny pleasure-dome with caves of ice !
A damsel with a dulcimer
In a vision once I saw :
It was an Abyssinian maid,
And on her dulcimer she played,
Singing of Mount Abora.
Could I revive within me
Her symphony and song,
To such a deep delight 'twould win me,
That with music loud and long,
I would build that dome in air,
That sunny dome ! those caves of ice !
And all who heard should see them there,
And all should cry, Beware ! Beware !
His flashing eyes, his floating hair !
Weave a circle round him thrice,
And close your eyes with holy dread,
For he on honey-dew hath fed,
And drunk the milk of Paradise.

Autumn of 1797 or (more likely) spring of 1798, published 1816, 1828, 1829, 1834

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Ode On a Grecian Urn by John Keats
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love psong

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an some morrr

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My YouTube Video

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a Kiss from govardhana hill*

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Heeven ~ th' nature oph, etc.

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vacation festival center

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STARLIGHT EXPRESSIONIST

the soul is a star which sparkles
with the other stars
like up in the sky
we strengthen our bonds
with the prismatic excellence
by sparking with one another
in the spiritual plane of empowerment
on our journeys toward universal unity
thru' song and dance communion
and furthermore
make a forum
amongst all of life
to share our findings from soul etude
* toward hu*man*kind*
watering the earth's terrains with the precipitous fortune of our celestial
samadhic benevolence!
Herein is th' blessed first class o samadhic bliss illumination trance an' also included are th' recorded songs I like to work with for all th' dance worx! enjoy an' send a note if you wish to have any further clarification about th' getsures, postures, etc. . . .
Doctrine of th’ Lost Cakras ~Isys ~ Queen of Heaven
Cakras are energy centers within the bodhi which radiate particular truth principles to the whole central nervous system an’ beyond an’ keep the bodhi, mind and spirit in allignment with perfect health when we care for and honour them! Th’ seven primary cakras we have studied thoroughly in popular westernized yoga, yet until recently there has been little informaton about the lower cakras (beneath the root to the soles of the feet)) and the upper cakras (beyond the crown cakra)) which are useful not only in health an’ wellness yet also in multidimensional travel, intuitive navigation skills, as well as spiritual empowerment & revivification in the third! Onlythese seven primary cakras are studied in most traditional doctrines of wholistic medicine an’ yoga; however, a Sivite renunciate called ‘SATGURU,” published a book revealing the sandskrit names of the lower cakras in the last quarter of the twentieth century. Unfortunately, his information was minimal and showed he had only truly caught a glimpse of the power available to US through meditation upon these vital energy centers located in the lower limbs and feet! Remarkably, after much intensive study of yoga and many years of dance training, I encountered the names of the lower cakras with much delight and subsequent manifestation of a doctrine of wellness which cannot be defeated! Furthermore. . . . as I began to delve deeper into an exploration of the saqrd energy, I realized that one half a lifetime training classically in soprano singing had opened several very significant energy centers above the crown cakra too! The depth of spiritual awakenment available to Us through dance and singing is not available through yoga alone; This convergence of disciplines is here gratified by an account of the twenty~nine cakras with each human bodhi! Please note: While ‘SATGURU” sought to integrate the power of lower cakras, because he was a yogi and not a dancer, they remained aloof! Each name, he assumed, ended with LA (as if th’ energy centers were singing “You can’t catch me!”’ to him, and each cakra was described as being possessed of almost demoniac attributes; Certainly, while ‘SATGURU” desired to bring forth the teachings of the cakras impressively for the future generations to evolve and study, he missed the vital nectar of immortality actually available to Us through the vibrational study of dance and singing! Thank Heavens, I have been empowered by the mercy of His divine grace A.C. Bhaktivedanta Swami Prabhupada to give these teachings in a more evolved and refined manner than ever before! You will find that the names of the lower cakras all complete with kha! Kha is the root syllable of transcendental power! Only by the mercy of a lifetime of singing and dancing disciplines have these precious energy vortexes become transparent; It is my prayer that you will find this information as invaluable and inspiring as have I!
~ Namaste ~
THE TWENTY NINE CAKRAS AN’ THEIR FUNCTIONS
*Premananda Cakra ~bouyancy in relation to auric roots underground
*Dharmakha Cakra ~ groundation of divine spiritual purpose
Patakha Cakra~ the soles of the feet ~ fountain of youth
Mantakha Cakra~ the crest of the feet ~ Revolutionary Saintly consciousness
Rasatakha Cakra~ the ankles ~ beauty, grace, elegance, fidelity
Takha Takha Cakra ~ chins ~ affluence, strength
Sutakha Cakra ~ knees ~ nurturance, flexibility
Vitakha Cakra~ inner thighs ~ alertness to danger
Atakha Cakra~ Upper thighs ~ security, sense of well being
Muladhara Cakra~ the root (perineum)) ~ procreation, vitality, individual presence
Svadisthana Cakra~ the pelvic grail ~ creativity
Manipura Cakra~ th’ solar plexus ~ chi vital energy
Anahata Cakra ~ Heart ~ love, faith & trust
*Stigmatakha Cakra~ palms of the hands ~ truth and evolutionary dharma
*Nayakha Cakra~ forearms ~ grace of supernatural power & communion
*Yantrikha Cakra~ upper arms ~ self-reliance
Visuddha Cakra ~ Throat ~ soul, spirit, communication
*Jakha Cakra~ lobes of the ears and base of the skull ~
vital instinct of true stability and cocreative force
Ajna Cakra~ the third eye ~ sacred vision
Sahasrara Cakra~ crown ~ royal identity
(as above so below))
*Sathya Cakra~ Divine knowing
*Artha Cakra~ creative prowess
*Dhama Cakra ~ Ambient Essence
*Moksha Cakra~ Awakenmenthe ~ liberation
*Dikshaprakrta Cakra ~ Magnetism
*Bodhi Cakra ~ Awareness
*Ardhi Cakra~ dream manifestation
*Tretha Cakra~ divine allignmenthe
*Dvarpara Cakra ~ window to soul’s purpose
SATKHA . . . . . . . . Assimilation into spiritual light bodhi!!!
RADHE RADHE!
The Twenty Nine Exercises of Wellness
(advisory ~ whenever articulating th’ feet,
always arch th’ foot to th’ point away from all saqrd objects
ie: never toward an’ altar an’ usually toward th’ door))

1*PREMAKHA ~TO CONNECT TO YOUR DEEPEST ROOTS IN TH’ EARTH. . . .only the sound of a deep drum or a male voice chanted ceaselessly as in prayer can commune this innate and primordial stability to our emotional and spiritual light bodhis ~ This cakra resides a few feet below the earth and creates elasticity in our interactiveness with the ripples of energy radiated by all living things! Walking in space! (Mu: TEMPLE CAVES, Mickey Hart, Planet Drum))

2*DHARMAKHA ~ GROUNDATION OF SPIRITUAL PURPOSE ~
pumping th’ arms swiftly forward and backward with th’ breathe while
jumping upwards and all th’ way down until th’ soles grasp th’ earth
Pulling th’ energy downwards thru’ th’ crown with a swift release of th’ hands from over th’ head to th’ sides and landing grounded upon both feet! Now swing th’ hip from th’ psoaz releasing in th’ hip and working th’ quads, forward an’ back on both sides! (BURN, Anoushka Shankar, Breathing Under Water))

3* PATAKHA ~ REVIVIFICATION ~ Start pumping th’ heels alternating in an upright posture an’reach one limb at a time forward to a ninety degree angle from th’ standing limb on both sides; now, in a triangle, gently roll the feet from toe to heel and return on both sides! Forward bend. . . .fold th’ palms beneath th’ feet and pull th’ sternum toward th’ knees as th’ breathe is released! Finally. . . . in lotus, give light stimulation to th’ palms of th’ feet, squeezing evary toe! (DANCE WITH ME, Anoushka Shankara, breathing under water))

4*MANTAKHA ~ EVOLUTION ~ seated upon th’ knees with th’ feet spread beside th’ hips. . . . rise up placing pressure upon the tops of th’ feet and giving stimulation by gravity’s force while uplifting th’ arms in a swift sweep and release. . . . head hangs down! Camel to rabbit an’drawing th’ knees tighter bring th’ feet around underneath th’ bottom and rocking seated C clamp! (BEAUTIFUL ONES, Freedom Tribe, live))


5* RASATAKHA ~ ELEGANCE, FIDELITY ~ Tap toe to heel from upright center turned out an’ parallel, forward, side an’ back; gently swirl th’ ankles elevating the limbs from standing to increasing heights and return to th’ floor experiencing the sensation of gravity upon th’ soles of th’ feet! Walk it out heel toe heel!
(ZION’S DOOR, SHIMSHAE, I Sense Your Presence))

6*TAKHA TAKHA ~ AFFLUENCE, STRENGTH ~ knee held at standing breast an’ ankle twirl circles on both sides an’ candra pranamas an’ arrow splits! In second position stretch. . . .reach alternately th’ foot an’ hand an’ return th’ limbs to center alternating th’ left an’ right foot an’ hand stretch! Repeat Candra Pranamas an’ Candra Kha!
(HEART OF TH’ SUNRISE, Yes, Fragile))

7*SUTAKHA ~ FLEXIBILITY . . . . Now do bicycles an’ shoulder stand arrows now release in a forward bend ~ breathe to release an’ rise up onto th’ knees for inspired prayer with arms uplifted and released as th’ hips rise and fall to th’ floor with th’ hands released at th’ sides! pull th’ knees one at a time up an’ over the head and pull as taught as you are able tu . . . . breathe deeply and repeat several times! (LEMURIA, Therion, Ancient of Days))

8* VITAKHA ~ SPIRITUAL ELECTRICITY, alertness to danger ~ standing psoaz sweeps on both sides again(with one limb planted firm. . . . the knee relaxed . . . . th’ foot arched gently into a point, sweep thru’ center forward an’ back until th’ hip is relaxed an’ th’inner thigh is warm an’ to loosen th’ hip)) Now, Standing forward, turned out, an’ back batmas to increasing heights, always keeping th’ back straight as a plank and the hips firm; repeat until exhaustion. . . .and finally, reclining on th’ floor, resting upon th’ forearms with one knee bent an’ th’ hip turned out. . . raise th’lower limb working th’ inner thigh until hard as ice on both sides! Now, raising th’ bent leg and arching th’ feet into points, work th’ lower ankle arch and flex until th’ whole limb is
hot on both sides! (an’ th’ abs begin to tremble)) Fin’ with a forward bend!
(TH’TEMPLE OF ISIS, David Arkenstone, Myths an’ Legends;
TH’ LAMENTATIONS OF ISIS, Ali Jihad Racy, Ancient Egypt))




9*ATAKHA ~ SECURITY, sense of well being ~ from sitting tumble to one side reclining upon th’ lower forearm an’ draw in th’upper knee with th’ upper arm crunch an’ release elongating the side of th’ bodhi an’reaching th’ upper leg toward th’stars, tracing th’ upper foot upon th’ horizon while flexing th’ lower foot to make a T with th’ feet an’ returning firm to th’ bodhi until
hot on both sides! (two variations))
Rise to standing, arm opposite limb reach toward th’ sky and draw in th’ stars to th’ heart sweeping up th’ limb into a parallel batma arching th’ foot into a point with th’ standing limb relaxed an’ return th’ toe to th’knee of th’ standing limb until hot on both sides!
(MEDICINE MAN, Mariah Carey, Fantasy; to Zion: Lauren HIll)

10*MULADHARA ~ INDIVIDUALITY~ Tremble th’ knees expriencing th’ wings until th’ whole bodhi is quivered; cum to sitting, place th’ heel beneath the perineum an’ rise from th’ sacrum with th’ bent limb side arm thru’ th’ kundalini of th’ spine thru’ th’ tips of th’ fingers toward th’ stars running th’ hand down th’ skyline an’ grasp th’foot releasing th’sternum toward th’ knee giving stimulation to th’ perineum with th’ heel until
awake on both sides!
(TH’ DANCING SORCERER, Mickey Hart, Planet Drum))

11*SVADISTHANA ~ PROCREATION ~ place both fists , knuckles interlaced inside the pelvic grail whilst laying flat upon th’belly, feet outstretched behind! Raise th’ chin and breathe th’ belly to th’ floor stimulating th’ inner energies! Cat cow ~ upon the knees arching the pelvis an’ retreating the belly toward th’spine with th’ breath until th’ svadisthana cakra is warm! Now from th’ cat, release one limb back to point an’ repeat many times on both sides! (MYSTERIOUS ISLAND, Mickey Hart, Planet Drum ))

12*MANIPURA ~CHI, th’ vital life force energy! Feet up in lotus, hands upon th’ knees, isolate th’ rib cage an’ arch an’contract with th’ breath; Circulate the ribs clockwise an’ counterclockwise!
Finally, infinity swirls, an’ reach o’er on both sides!
(BALLAD OF TH’ MORNING STAR, Valient Thorr))


13*ANAHATA ~ LOVE an’ spiritual vigor ~ As a butterfly, swing th’ arms across th’ breast coursing over th’ elbows and slapping th’ palms togetha’ behind th’ bodhi. . . .an’repeat overhead for upper wings embracing th’ heart until wings are actually almost tangibly visible to th’ inner eye! Arms make grail open an’ return to prayer!
Now, gift of th’ sun, from th’ heart unto th’ earth an’ double times!
(TH’ WATER DANCE, Alasdair Frazier, Dawn Dance)). Give pressure to th’ palms of th’ hands with th’ thumbs making little circles until mental clarity is obtained! Clench an’ release until warm an’spiral th’ fingers in from th’ pinky to th’ thumb elongating an’ returning!
(BIRDS, SHIMSHAE, Armaggedon))

15*NAYAKHA ~ GRACE an’ communion ~ circulate th’ wrists with th’ hands relaxed in waves of wind, water an’ fire opening th’ grail of th’ heart with upwardly spiraling gestures until warm! return to prayer. . . . . .
(CLOSER TO TH’ SUN, Slightly Stoopid, Closer to the Sun))

16*YANTRIKHA ~SELF~RELIANCE ~ Drop th’ knees upon a thick cushion or tripled wool blanket an’strengthen th’yantrikha with several repetitive releases into th’ hands and returning while keeping th’ back in a straight plank posture, until hard like ice!
Feet up in lotus, open th’ arms and hands in relaxation toward th’ heavens while breathing in to invoke th’ presence of rain, sun, moon, or stars; direct th’ mind’s eye toward th’ visualization of any of these four energies an’ return palms to prayer, allowing th’ heart to lift an’ the pattern along with th’ breath to reverse so that these elementals seem to glow directly from th’ heart toward all of life! Allow th’ arms to radiate alternatively about th’ bodhi forming an etherically tangible cocoon of white silk dropping the palms back to back near th’ heart until stimulated and warmed through and through! Stand an’ relax in bicycle twists sending th’ gaze out over th’ tops of th’ fingers!
(LE BOUREE, Jethro Tull, Stand Up))

17*VISUDDHA ~ COMMUNICATION, justice an’ rights amongst civilities ~ gently toss th’ head from shoulder to shoulder making a half moon with th’ chin an’reach th’ chin upwards as th’ neck falls back inhaling with th’ motion an’ looking right an’ left until th’ Larynx is alive! Now, sound a high tone to stimulate th’core muscles of th’ Adam’s apple
an’ resonate lightly here until th’ Larynx is warm!
(HYMN TO OSIRIS, Ali Jihad Racy, Ancient Egypt))
18*JAKHA ~ TRUE STABILITY ~ with th’ thumbs an’ fourth fingers give stimulation to th’ ear lobes give pressure with th’ pinkies to th’ hollow just beneath th’ lobes
with th’ breath!

19*AJNA ~ INTUITION ~ in lotus, place th’ palms behind th’back and visualize th’ breath actually going thru’ th’ third eye with th’ gaze upwards! Breathing in thru’ th’ nose an’ out thru’ th’ mouth! With th’ fourth finger of th’ left hand, stimulate th’ tulasi upon th’ bridge of th’ nose until th’ vision of an’ from th’ third eye becomes vivid an’ real!
Now twist holding one knee with th’ opposite hand an’ looking o’er th’ shoulder
on both sides! (all th’ while exercisiing th’ visualization upon th’ third eye))
(TH’ JIG, Anton Mizerak, Desert Bloom))

20*SAHASRARA ~ DIVINE IDENTITY ~ Start by inhaling th’ sound SAT an’ breathing out NAM; this means TRUE IDENTITY. . .This gesture is a standing twist, sweeping arms while hands wrap about th’left(SAT)) an’right (NAM)), slowly raising upwards toward th’ crown and finally dusting th’crest of th’ head with alternating sweeps of th’ hand!
(LOVE FOREVA’ MORE, Freedom))

21*SATHYA ~ DIVINE KNOWING ~ high toning while visualizing a crystallein window a foot above th’ head; visualize a little bolt of lightning through to th’ pit of th’ stomach!

22*ARTHA ~ CREATIVE PROWESS ~ Stand up on th’ head an’ feel th’ energy radiating from your soul into th’center of th’ earth; turn kartwheels (upon th’ grass is best)), sending th’ feet toward th’ stars and illumining the crown two feet above th’ head!

23*DHAMA ~ AMBIENT ESSENCE ~ only with a high pitched soprano khall unto the eternal waters of life can th’ domain of one’s individual spirit soul become manifest. . . .when we realize this scene we have somehow manifest we recognize th’ herd of followers aspiring to do th’ same, so here we can leap about elongating th’ limbs!
(WHAT A FEELIN’, Irene Cara, Flashdance))




24*MOKSHA ~ LIBERATION ~ whispers of heav’n are here when we are truly inspired by th’ divine mind which only recognizes brilliance in one’s talent for being spiritually naked and taking great risks in melodikhall imrpovisation in th’ highest rhelms of glorious sound! Seldom does a womban or man open these cakras, yet when She does, all worries, despairs and troubles disappear in both listeners an’ th’ vocalist as well! (ie: Mariah Carey. . . .sometimes even Stevie Wonder will commune in these planes regardless to pitch. . . .simply by allowing th’ soul to become mesmorized by spontaneous melody an’ pure thought a whole universe of infinite peace an’ justice becomes available!)) So dancing th’ voice is also expressed thru’ free style movement. . . .let us dance!
(I AM FREE! Mariah Carey, Fantasy))

25*DIKSHAPRAKRTA ~ MAGNETISM ~ Visualize th’ great pyramid above th’ head while holding th’ ankh of eternal life in th’ form of th’ bodhi an’extend th’ arms to embrace some one swayiing to feel th’ grail of thy beingness!
(MUSIC OF ANGELS, Freedom))

26* BODHI ~ AWARENESS, LUCIDITY ~ while reclining upon th’ back, visualize a great sphere of golden sunlight engulfing th’ bodhi an’ just breath calmly an’ gently ‘til something happens! (ie: a warm beam of golden sunlight streaming in thru’ th’ crown from afar trembling thru’ th’ bodhi until warm!))

27*ARDHI ~ DREAM MANIFESTATION ~ walk a while in th’ wilde. . . . .
for th’ breath of life be with you! (here is an opportunity for contact improv))

28*TRETHA ~ DIVINE ALLIGNMENT ~ gaze directly into th’ sun in one another’s eyes an’ allow th’ movement to take you where it will! In this place rest th’ heart in solace of th’ calm inner voice which will guide you!
(HOUSE OF BARLEY, Cat Stevens, Tea for th’ Tillerman))

29*DVARPARA ~ WINDOW TO SOUL’S PURPOSE ~ only really vigorous free form dancing with friends an’ family can open these topmost vorteses of divine energy. . . .after several hours of this righteous communion will th’ soul’s obvious khalling be truly apparent
an’ all obstacles shall be removed!!! (WE HAVE HEAVEN, Yes, Fragile))
AMEN!! AMIN! AMEYN!! In th’ grace of th’eternal radiance!! ~SATKHA RA
(SHAMBALLA, Ancient of Days))

Now that you have experienced th’ twenty-nine cakras, you will be much prepared for any spontaneous dancing activities and will certainly experience a renenwed vitality in th’ emphasis of these saqrd energy centers!

OM PREMANANDA CAKRA NAMAYA
OM DHARMAKHA CAKRA NAMAYA
OM PATAKHA CAKRA NAMAYA
OM MANTAKHA CAKRA NAMAYA
OM RASATAKHA CAKRA NAMAYA
OM TAKHA TAKHA CAKRA NAMAYA
OM SUTAKHA CAKRA NAMAYA
OM VITAKHA CAKRA NAMAYA
OM ATAKHA CAKRA NAMAYA
OM MULADHARA CAKRA NAMAYA
OM SVADISTHANA CAKRA NAMAYA
OM MANIPURA CAKRA NAMAYA
OM ANAHATA CAKRA NAMAYA
OM VISSUDHA CAKRA NAMAYA
OM AJNA CAKRA NAMAYA
OM SAHASRARA CAKRA NAMAYA

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SAERAPHIMA MANTRA

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ARTISTIC PROFFESIONAL RESUME! yo!

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ONE ~psong project begun 1993~ RR ISYS

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RA ~ a sandskrit doctryne of SBIT

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My Recent Activity

FREEDOM IS FLEXIBILITY!!!!!!!!!!!!!!!!!!!!!!!!!!!! ( events » arts ) SAMADHIC BLISS ILLUMINATION TRANCE SHOP
THE FLYING LOTUS 9-19-009 $10-20 tithe
6-7:30 all skill leveles welcome
event starts Saturday, September 19, 2009 - 6:00 PM
CATCH ME IF YOU CAN!!!!
dancers
photo posted 09/06
what do dancers adore?
justin michael sirius sirius chocolate.. . . . .
photo posted 09/06
candra pranamas
photo posted 07/30
lotos
photo posted 07/30
view all 19
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Le Fleur

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Visnu Haiku

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Visnu Haiku two

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Visnu Haiku ~ three

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for Carabellae*

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from the Yadu dynasty*

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MAZIKEEN rosary ORIGINAL TULASI HYMN

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FAERIES o FREEDHAMA ~ Characters an' Set

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FAERIES O FREEDHAMA PSONG INTRO!

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ma' soul mates

Mark
Mark
offline 364
Tina
Tina
offline 78
Bingi
Bingi
offline 261
Azul
Azul
offline 228
kathy
kathy
offline 8
charity
charity
offline 326
Phil
Phil
offline 55
Abai
Abai
offline 356
Deer...
Deerheart
offline 43
Sasha
Sasha
offline 460
Alayha
Alayha
offline 8
Cassidy
Cassidy
offline 327
arjun
arjun
offline 213
Alwu...
Alwun Godfree
offline 214
amri...
amritavidya
offline 99
Mercury
Mercury
offline 133
DAKINI
DAKINI
offline 531
Shaw...
Shawndera Terra Nova
offline 4
Rudi
Rudi
offline 162
~*~ ...
~*~ Shad ~*~
offline 24
jah ...
jah levi
offline 252
Arju...
Arjun and Guardians
offline 18
Ronjon
Ronjon
offline 352
Shae...
Shaela Noella
offline 114
Joyus
Joyus
offline 185
Shivoso
Shivoso
offline 107
Forest
Forest
offline 646
Joan...
Joanna (Janaki)
offline 168
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I HAPPEN!!!!!

 
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