The Fine Art of Time Manipulation

Manipulating Time

   Tue, May 12, 2009 - 3:29 PM
Dr. Overtone has taught me to experience the Beat from walking. Each foot landing on the ground is a beat, and on the average human walking we learn to count like Baroque masters did: tempo 92. Because we use two feet, have a symmetrical body, and the ego functions on duality, the most immediate way to accentuate the beats is Duple Meter. In most of the Western world kids are lucky enough to study Music at school, and Doc says they all learn at the band that left foot is one, right foot is two. Doo-day, doo-day, doo-day and so begins the magic of Time Manipulation, embellished with variations of sound and gaps of silence.

Duple meter is natural. It's the music that moves wild crowds, and that uniformises men in uniforms as they drill in perfect synchronization, the beat that makes men and women who have nothing in common feel a sense of belonging to an abstract and unrealistic creation such as a "country". One foot and then the other creates Order. Doo-day is the template for national anthems, for rebellious chanting, for bulding up rage, lust and other basic functions of mind and movement.

But then Doc taught me something else. Add another weak beat before counting Doo again. Left, right, left, and Doo when right hits the floor. Doo-da-dee, doo-da-dee, doo-da-dee. Now one transcends the reality of the body, has reached for a level of understanding that isn't contained in the bicameral mind. One has been unfolded beyond one's own nature in a sense, so if duple meter is natural, triple is supernatural.

If two is order, three is subversive. Triple meter is the gateway to Spirit, the root of medieval religious music, of spaces created to stir love where love needed to be tamed. In three come the Gods of Faerie, and triune is the shining God hidden within the heavy, cold and unfriendly stone walls built ten centuries ago.

The Time element is definetely associated with the Three all over the world. The Norns, the Hours, the three parts of a well-told story. The Holy Trinity; The Twins and The Mother; the Oak King, the Holly King and Mother Earth. The Welsh Triads; Iron Age/Middle Ages/Modern Age; before, breakthrough and after. It takes three to manipulate Time. For a long time, we've known the secret--that the secret is in Time.

I'll have to get back to you on 5/4 and 7/4. I've begun trying them out just today, and loved the intoxication they produced.

Image: Zoomorphic Triskele, by Owen C. R. Pierce. www.elfwood.com/~auroch



6 Comments

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Wed, May 13, 2009 - 1:49 AM
A dear friend of mine (who happens to be a Facebook friend) who's a wonderful musician taught me about how important breaking down the more complex meters into their constituent parts, thus: count 5/4 as "ONE two ONE two three" or as "ONE two three ONE two"... and 7/4 as "ONE two ONE two three ONE two" or, alternately, "ONE two ONE two ONE two three" or "ONE two three ONE two ONE two." With the 7/4, each way will give the listener the net result of 7, but I find that it makes a difference in my own head where I perceive the three-beat to be falling in the sequence—and of course where that happens is of great importance to dancers if it's dance music.

I don't know if he scored it in 5 or not, but I hear Harry Belafonte's "Turn the World Around" (found easily on Youtube) in 10; though I have been able to carry 5 in my head without much extra effort for quite a while, thanks to songs such as Libana's "Full Moonlight Dance," the only way I could get the hang of TTWA was by beating it out in my head as ONE two three ONE two three ONE two ONE two—effectively 10s.

On a completely different train of thought, I published this essay online a number of years ago. You may find it interesting:

paganinstitute.org/essays/f...hythm.htm
Wed, May 13, 2009 - 2:29 AM
Brill article, Khrysso! I don't know if I've told you that before, but you definetely should write a book on this! Do you know createspace.com or lulu.com ??

I'll look for the songs you mentioned. They sound interesting!
Wed, May 13, 2009 - 5:03 AM
Wow, "Turn the World Around" is a GREAT song!!! But it's not in 10, it's basically Duple meter, but to create the African music effect, Belafonte has written it for several voices and in crossed rythmns. That's probably why you listen to it as if it were 10, 'cos after ten beats all voices come back to "beat one".

The other song I couldn't find on Youtube... Is this the one you meant? www.youtube.com/watch
Wed, May 13, 2009 - 11:47 AM
who is Dr Overtone? I love triple meters. They are wonderful and vibrant. When I used to write, I always liked to write in triple meters (3/4 or 6/8) and I have always loved it. Waltzing, polkas, swing dance are based on 3 part division of the beat.
Wed, May 13, 2009 - 3:03 PM
Dr. Overtone is commercially known as W. A. Mathieu. Chris, you'll love his book "The Listening Book". It's a toy for a lifetime!!
Thu, May 14, 2009 - 9:51 AM
Awen-An old guitar teacher taught something similar...when trying out for the rhythm guitar slot for Fela Kuti's band in the mid 70's. It was suggested that instead of taking the bus to destinations, that he was to walk everywhere, and to keep a meter as he did so. He did this exercise, and one week later came back...he got the gig. As far as I know the only time a European played in Fela's band. This lesson has stayed with for the last 17 years! Thanks for the reminder.


Doing breath work to the footsteps along with self induction ( NLP/hypnosis) while walking in the woods becomes a whole new experience! As I walk...( each step=one word)...I am feeling closer...and closer to the trees...and who I am...etc..