Barbed Wire and Windchimes

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Here Till Here Is There

   Sun, August 17, 2008 - 2:42 PM
BACKGROUND AND CAVEAT:

In 1987 a singer by the name of “Licorice” McKechnie disappeared and remains missing today, presumed dead. My title is borrowed, with gratitude, from a song by the group The Incredible String Band, which she had left in 1973. Obscure as the lady herself, certain references in this poem are likely to be opaque to all but Stringheads.


The retrospectives sometimes miss her name,
Whether she was Chris-tee-na or Chris-tye-na—
That German sites have christened Caroline.—
But fey, she frolicked on the album jackets,

And cradled a fat toad or baby bird
In pale and slender hands. We saw her soar
Breezy and carnationed in a swing;
In wood and meadow, saw her in velour,

In liner notes, the candy soubriquet.
Pitched up in schoolgirl euphonies we heard
Her sing what merry Robin penned, “Papa
Would take me to the park to see the swans. . .”

Rose-browed, but whispered bare neath her chiffons,
Whirled through by dusts and potions, so they say,
A butterfly beneath the waking sunlight,
Moth at the dreaming sweet, black sticky flame.

And if some sandalwood and silken summer
Of plucked sitar, the spun to silver web
Of beads and bells sang different beckoning,
The coil of jasmine round about that wound her

Drew her to some other song, say the wren
Before the robin or before the heron?
Would still the girl mulleined and leafed in muslin
And Sunday school soprano, furred and cloched,

Have gowned like Guinevere and flower-crowned
Her glazy visage, sung off-key at Woodstock,
And mourned with “Darling Belle” in widow’s weeds,
Once reeked to soot in grey Midlothian reckoning,
Her woolens sluiced in housepaint and woodstain?



The narrative is hindsight at its best,
An August thing of maybes and what ifs,
How chance the Thetan grasp that more than tithed.
Or after copter flight past blocked off roads,

How mudding tent and torrent that first night
Of hidden stars and candles in the rain
Displaced gold Robin’s band and staged them up
Next day between Canned Heat and CCR

To underwhelm the half a million strong,
With coy sweet songs about “This Moment” whose
Legatos might have joined the shooting stars
But for the blotting clouds and weeping muse--

Not quite the meteoric rise to fame,
But just enough for three more years of tunes,
And then the spotlights yield to western sun,
The service trays and crockery, public bus,

Robin’s painted guitar. Inclined to sing,
Declined to teach “Old Songs and Cottages.”
E-meter’s golden tethered tantalus?—
Too high the plumping fruit, too low the water.

How did the rest evade their dotages?
One to nostalgia circuit bowed, and one
A mayoress, and one a Cardiff bard--
And three dismiss to death even her name,

Though unclaimed royalties may wait to yield
Solace for Perseid nights that passed unstarred:
To hell with Hubbard and with Yasgur’s field--
The children of star seed and beggars’ weeds
Had never loved her like the bud and blotter.



The folklore even disagrees on this:
Whether the last who ever knew her found her
Footprints nudging the Arizona dunes,
Giving the slip to Hubbard’s church. What if

They never find a ragged shawl or diary?
A scorpion in a skull, a tarnished chain?
A final letter, mailed in nineteen ninety,
From Sacramento, to a Scottish sister,

Was three years’ leave to fray the stitch of rumor--
"Shared open mikes in London in the nineties"/
"Impromptu a cappella Wiccan chants"/
"Asleep in batterer’s yard"/ "From hard park bench,

Pulled nameless to the steam of LA streets"/
"Took serious drugs and wore no underpants"/
"Abducted by space aliens in the desert
With Captain Beefheart"/ "Let a cult subsume her--"

I think we cut our cloaks to August promptings.
This month can hunt you down, pull you up short:
I think on August nights of men like Manson,
Who think on August mornings of blood sport.

I think, when summer’s hit the downhill sands,
I know a doomed thing when I see or hear it,
And downward wave’s as deep, so I suppose
That if, some brocade noontide, coppery bands

Of sunlight drew her west to other strands,
An island beach embroidering her clothes
With knots of sea wrack, blue-green stinging seaweed’s
Matty floss as richly might have gowned her,
As gauzy veil of Morpheus around her.

Copyright Briar Rose 2008


This work is licensed under the Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 License. To view a copy of this license, visit creativecommons.org/licenses...c-nd/3.0/ or send a letter to Creative Commons, 543 Howard Street, 5th Floor, San Francisco, California, 94105, USA.

Collage: August Night Sky



6 Comments

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Sun, August 17, 2008 - 3:02 PM
a stirring poem briar--wonder what it means for you. i feel lost myself today and disquieted by august--the passing of summer, the looming of winter and time passing. all the summers past.
Sun, August 17, 2008 - 3:47 PM
I, too, find August a delicious disquietude. I sit up into the wee hours of the morning and listen to the shush of truck tires on distant asphalt against the backdrop of cricket static and toad vibratos, and the katydids' repetitive rasp asks, "What now? What's left now?" And sometimes you see the Perseids, but more often they're soaked up in light or cloud. And whether they're invisible in light or invisible behind cloud, those sparks become ashes all the same.

I don't know why August makes me think of this woman's disappearance. I haven't been able to find out what month she set out on that trip through the desert. But mid-August was the time of Woodstock--a notable ending in its own right--and she was there, and didn't get in the movie. I think for me the passage of those August meteors will always signify the people and things belonging, in the end, wholly to themselves--who didn't get in the movie. And that most of life is lived veiled in light or veiled in cloud, and one never really solves the mystery of another, and everyone is really as alone as a person sitting up listening to katydids and distant tires at 3 AM in August. And that we may never solve the riddle of ourselves--but in that quiet and empty universe we have all the space we need to try.
Sun, August 17, 2008 - 3:56 PM
makes me feel a little less alone to think of you alone listening to the katydids:)
here's another mystery. how can one day you feel so good like you're almost to the lip of that hole and the next you're back in it with no clue why?
Sun, August 17, 2008 - 4:37 PM
It's the Introvert's energy cycle. It's normal. I'll message you about that.
Sun, August 17, 2008 - 5:42 PM
my ..yard sounds alive..with the sounds..of.. many creatures chirping...and rubbing their knee's together..

I went out..tonight..calling Sam..and in the twilight of evening..I could see a dark creature..walking past down in the back yard..

and of course..SKYE..started his barking.. I couldn't see the creature enough..but I do think it was a deer..with head down~

it was about the size of a small deer.... and yes..

the sounds of the evening..reminded me also..that we are in the twilight of summer..

and ..a very long..COLD winter is upon us..in a blink of an eye~

so I try to absorb as much of this as I can..now~

Briar..your poem.. is very intense..with a great deal of insight..and wonderful prose..

as always when I read your thoughts..and words.. they astound me..

you told me you were working on this..and ..its wonderful..

she would be..proud~

i did a little search on her..and came upon this..

not sure if you have seen it..

www.youtube.com/watch

.......enjoy the katydids.. and we can listen to my yard......Cacophony.. next Sat night~
Sun, August 17, 2008 - 6:41 PM
Heron, thanks for your comment. Yes, isn't that video nice? They've used one of my favorite ISB songs in it. Wish it wasn't cut off short, though. Here's another one along the same lines (and yes, cut off short again, alas) with a different painting, of the whole group and some of their young friends:

www.youtube.com/watch
 

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