This is the cover for a live mix tape I did for EC Brown's COMA 13: Heatwave. The cover is a collage of appropriated album covers. Naked Eyes self titled LP inverted is the background. The three gentlemen from Revolting Cock's album Big Sexy Land are surrounding a silhouette of the fabulous J/Wayne Country.



The mix is very happy, layered, fast, and a bit rough.



You can get it here:



http://www.megaupload.com/?d=IHZX3P37



for the split mp3 files with id3 tags and here



http://www.megaupload.com/?d=WOIXRFG0



for one mp3 with a cue file. [the zips are labeled backwards]



Live Mix June 29th, 2007



01 Mathew Wilder - Break My Stride 3:11

02 Daft Punk Vs Green Velvet - Daft Land 0:36

03 Rm - Heart Of Glass 1:03

04 Neil Diamond - Bring Back The Old Songs Loop 1:30

05 Bee Gees - How Deep Is Your Love 0:37

06 The Whitest Boy Alive - Golden Cage 1:56

07 Playfel Vs Journey - Streetlight People 1:59

08 Revolting Cocks - Da Ya Think I'm Sexy 1:16

09 Jason Forrest - Dark Love 1:51

10 Naked Eyes - Always Something There To Remind Me 1:56

11 Rhythm And Sound - Poor People Must Work Carl Craig Remix 0:33

12 Kevin Blechdom - I Am Nastay 1:44

13 Pink Industry - The Corpse 1:55

14 Red Krayola - Another Song Another Satan 0:38

15 Wayne Country And The Electric Chairs - Berlin 2:20

16 Dexys Midnight Runners - Come On Eileen 0:22

On April 13, 2007 Meg Duguid and Catie Olson threw pies at each other in the name of science.



I Can Toss. Can You Smash? What a Splat! A Pie Research Project asks these questions:



"Although the cream pie seems to be the favorite of pieing moments, is it really the most effective comedy investment? Or is it the best for black and white film, where pieing had its media heyday?"



We will have to wait for their report to be published to get the answers, but for now there is some visual evidence on flickr.

Saxophonist Celia Whiren and Artist Jacob Christopher collaborated on a set of improvised electroacoustic music as a sonic response to the collaborative painting show "Hot Mess" by Peter Hoffman and Caleb Lyons at Green Lantern.

Painting is a thing full of difficulties, but bunnies are easy to love.

What does it mean to drop yourself wholeheartedly into a moment? To be out there on the edge, opened up for all to see. It means something, perhaps something hard to articulate, maybe something warm on a hard frozen night. Speaking of the rigid, the structural systems behind this event; collaboration, mirroring and cross discipline interaction fascinate me. These things have a way of pushing the raw emotional performative moments out in front and framing them. If you weren't there you missed out!