Zephaniah- Truth active in the individual but hidden from the outer;
the truth of a persons real being is hidden from the outer world;
this is really a protection to the person;protected by ywyh;
since the outer being in their unredeemed state is very likely to put
to unwise use the power,understanding,and other divine qualities.

purusartha prada-she who grants the (four-fold) objects of human life.
dharma-(morality)
artha-(wealth)
kama-(desire)
moksa-(liberation)


lokah samastah sukhino bavantu

This next writing is from one of my dear teachers, and elders,
Ariel spilsbury the author of some very transformative works for our time period.

BY ARIEL SPILSBURY AND THE DIVINE COSMIC CIRCUS
This is the true nature of sacred theater. It is not a passive performance such as we have become programmed to accept. Rather it is engaging and active, as in Greek theater where the audience responded with chant and song within the play…and more importantly to deepen together in soul communion and shared expansion of consciousness after the sacred theater offering was finished. When we have been so deeply moved by a sacred offering such as this, we don’t want just to return home, but to stay and celebrate together our quickening in consciousness.
In Greek culture sacred theater was called Therapia because it was considered to be a form of conscious evolution for the soul. It was a sacred medium in which to gather to honor our growing seeds of consciousness. It was a sanctified forum in which to heal, to celebrate, to go to the highest possible denominator together. It explored the mythic, archetypal dimensions of being, that actually set and guided the field for our egos to play out the mythic scripting of our soul’s evolution. It opened the field to more mythic expressions of the masks of Self, than our ego’s may have been previously aware.