sacred buffalo breath
Pennsylvania

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diane

offline 24 friends
joined on 03/05/08
last updated 05/23/09
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Check My Music on my website

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Shekhinah Mountainwater 1938-2007

sister and teacher, radical faery bard, exquisite musician, self-taught scholar, lesbian, priestess of the goddess, creatress of tarot, runes, goddess seasonal mythology, songs, legends, ceremony, temple space, safe space, collector of goddess lore
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A Flow For Shekhinah Mountainwater

Shekhinah wrote the commonly known and sung chant, "We Are the Flow."
In response, after her transcendence to the next realm, and in honor of her contributions, I say:

we are the flow
we are the flow
we are this richness
we are spun gold
we are the flow
we are water gushing in the spring
we are the flow
we are every livin' thing
we are impenetrable beauty
a shimmering mirror of unconditional love
love
we are the flow
we are the ebb
we are the stillness, the forest at night
one hand clapping
one mind silent
the tree sapping
drip, drip
slow like molasses
delicious, sip, sip
we're blissed off our asses
we are the ebb
we are the ebb
we are the ocean wave retreating
never defeated
a big heart beating
silent, but for the beating
red, thick, light as a feather
empathic, independent
we are the ebb
in any kinda weather
solid, grounded, light as a feather
we are the ebb
we are the web
we are the web
woven from stardust, we are golden
we've got to get ourselves back to the garden
out of the rat race and back to the garden
the garden we can put our heart in
put our back in, put our juice in
what's gonna fill with truth when
we live it, we show it, we be it, we know it
we are the weave, we are the web
we are the flow, we are the ebb
we ARE it, we ARE it

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All the Freaky People Make the Beauty

Gender
Female
Location
about me
i'm waking up, showing up, growing up, launching out, hiding out, busting out, traveling, doing whatever the heck i want and taking my music wherever goddess guides me
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My Friends

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Goddess Crop Circle

This one recently appeared in England. People get healed by the vibration in a crop circle when they walk inside one. Bless!
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We Have Not Come to Take Prisoners

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Stories From the Road and My Heart

Reaching the Goal (blog entry) I'm reading The Art of Pilgrimage by Phil Cousineau; and I'm coming to the end of my journey in Europe, and the end of the book. Cousineau talks about the goal of a journey. And for most pilgrimages there is a physical destination, a holy shrine ... read more
blog entry posted Sun, August 31, 2008 - 9:08 AM permalink - 0 comments
Mundkulla Music Festival (blog entry) Mundekulla was amazing!!!!!! Wow, so together and so mature and deep and transformative. The very woman who picked me up from the train and has helped out on the Mundekulla land just in the last 2 years just emailed me that she's finally talked... read more
blog entry posted Sun, August 24, 2008 - 2:22 AM permalink - 0 comments
Coming and Going (blog entry) Today is my last in Berlin, and it's been nothing less than magical, divine, challenging, flowing, musical, mundane and mysterious.

My new friend Andrea took me to breakfast today at the very cafe that I first played in front of. Beginning and... read more
blog entry posted Sun, August 17, 2008 - 11:44 AM permalink - 1 comment
My Head Full of Stories (blog entry) Went to sleep at 4am here Berlin time and woke at 8:30 with my head so full of stories I couldn't get back to sleep.

Yesterday was so very full and astonishingly beautiful that I have to tell it so I can rest! I started with yoga and felt much... read more
blog entry posted Thu, July 24, 2008 - 6:24 AM permalink - 0 comments
True Love Waitz (blog entry) True Love Waitz, says the grafitti on the wall at the gypsy caravan community, LohMuhle Wagenburg. The land sits up against an old train bridge in Berlin's cool Neukoln district. There were many, many of these communities on bare land with littl... read more
blog entry posted Mon, July 21, 2008 - 9:04 AM permalink - 0 comments
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Stories from the Road

I'm reading The Art of Pilgrimage by Phil Cousineau; and I'm coming to the end of my journey in Europe, and the end of the book. Cousineau talks about the goal of a journey. And for most pilgrimages there is a physical destination, a holy shrine or an ancestor's home or a famous place that the Wanderer has been long inspired by . . . My journey is different because it is a journey to myself. Of course, pilgrimages with physical goals are also inward journeys, and that is what makes them meaningful and transformative. But I mention all of this because of a feeling I got a few days ago when I was planning a quick trip to Stockholm. I realized I had a physical goal and a meaningful visit to make in Stockholm that was bigger than me and filled my heart with joy. I was thrilled, excited, delighted. From Cousineau's book:

"The essential task is to feel the thrill of completing your pilgrimage. If we remember that the word thrill originally referred to the vibrations the arrow made when it hits the target, then the pleasure is compounded. There is joy in having arrived, moment by moment."

I went to Stockholm to meet Steffan Säfsten, a friend and supporter of Spoon Jackson, inmate at New Folsom Prison, the man whose poetry class I visited in the spring (read my blog, High Times in Heavy Places). Spoon and I have also been corresponding since 2005 when we did the KVMR-sponsored Michael Franti concert there in Folsom. Wow. I told Spoon I was going to Sweden to perform, and he reminded me of his people there, gave me their contacts and suggested I look them up. I'm so glad I did. And it felt like I was doing it for Spoon, just because he might never get to go to Sweden. He's serving a life sentence. (Poetry and stories of Spoon, www.spoonjackson.com)

I travelled 5 hours northward in the car with Bo Schwere, the really happening, hard-working papa of the farm I'm staying on here in Sweden. We had three teenagers in the LandRover and 4 sheep in the trailer that were all being delivered to a neighborhood south of Stockholm. From there I ventured on alone with the train into Stockholm center, then took the subway out to Järfalla. I walked into the little church off of the square, where Steffan Säfsten is full-time music director. He's also a University professor of music. The beautiful church where he works is just 30 years old, Lutheran (We're not Protestant; we're not protesting anything.), and has a crowded full house on Sundays, in Europe, where most churches are giant, ancient cathedrals, almost empty. Impressive. Steffan was in the Wednesday evening mass when I arrived, so I walked in on the service just in time to step into the small circle of folks for the holy communion moment, the sharing of bread and wine. I affirmed that I was "healed of everything," in that moment, with that experience. I was raised Catholic and was playing guitar in mass and taking communion every Sunday all through my childhood. I have plenty to heal with my Catholic upbringing, but I think more in my DNA and my cellular memory than in anything I experienced in this lifetime with The Church. Indeed, this church in Stockholm was a sweet one, with a family from Indian, some people that might have been from Turkey, and some silver-haired Swedes, all friendly and smiley.

The church's giant pipe organ droned immensely through the octagonal space, evening light coming in through lovely colored cut glass windows, Yahshua (Jesus) with dark brown skin, yes!, an old icon of Madonna and Child on wood. Then at the end of the service, Steffan himself steps out from behind the huge organ, where I'd only seen his silver hair popping out over the top, and sits down at the baby grand piano to play a closing piece. The movements of this piece had me in tears, rolling down, such beauty, so profoundly unique! I marvelled and wondered and listened. Later I asked Steffan what piece that was. "Oh, that was an improvisation," he said. (!) "I didn't know what to play at the end, didn't know if I should play the organ or the piano, and went back and forth, and then just improvised." Man, if that's what you improvise, I can't wait to hear what you compose!

In 2004, a friend of a member of Steffan's choir group handed him some poetry by Spoon Jackson. When Steffan first received Spoon's poems, he put them away for awhile. When they resurfaced he read them and was moved to write music for them. Steffan conducts a large, touring, rather sophisticated choral group for his church. He composes some of what they sing. He wrote the music to Spoon's poem's for his church group, and all in the same year, they toured in Sweden doing this body of work he called Freedom for the Prisoners. He gave me a copy of the CD.

We got to sit and talk over dinner for a couple of hours. Steffan asked me questions about my music and my path and I enjoyed telling my stories for awhile. He soon figured out he'd seen my performance on the DVD of the New Folsom Prison concert, filmed that day by Michael Franti's crew. Putting it all together. Steffan's actually been to New Folsom twice to visit Spoon. Last year he went for a third visit but didn't get to see Spoon during the two or three weeks he was in California because the prison was on lockdown the whole time. That means there had been some incident, probably of violence, and the inmates were all confined to their cells and denied any activities or classes. With all the politics of prison relations and the dangers of pushing the boundaries of etiquette among the prisoners themselves, it didn't seem smart for Spoon's own safety to try to pull strings to get him a special visit with the rest of the place on lockdown. So Steffan went back to his home in Sweden without seeing Spoon, depressed. He did perform with his Swedish choral group in three churches, cathedrals? in San Francisco, and one in Denver. He said the gay church was special because the congregation was wildly responsive to the music, roaring their praises at the end of every piece. Freedom for the Prisoners!

But back here in Stockholm, I told Steffan I sang for the kids in the Waldorf school the other day. I told the students that I sing to the prisoners at New Folsom and that one of them, Spoon Jackson, has a following here in Sweden. So afterwards one of the teachers tells me that he has a book of Spoon's poetry! And he has heard many of the stories of a Swedish man named Jan Jonsson and his exploits producing prisoners in California and Sweden in Samuel Beckett's play, Waiting For Godot. Spoon was involved in one of those productions when he was in San Quentin in the 80's. At that time, Spoon had already begun writing poetry, short stories and plays, and the Godot experience encouraged him to keep writing, as Steffan told me. Funny, when Jonsson did the same play with Swedish prisoners and took them out of the prison to perform in 2004, all but one of the prisoners escaped! They all turned themselves back in before long. When Samuel Beckett reportedly heard about the escape, he loved it. In Sweden, prisoners don't serve sentences longer than 15 or 20 years, so, most of those men should be home by now anyways.

Sitting with Steffan was a celebration of Spoon and his work, work on his art and work on himself. Steffan and I marvelled, as I often have, at how prisoners such as Spoon can manage to retain any kind of sanity in the difficult and demoralizing situations they are in. I mentioned Mumia Abu-Jamal and the years I have activated for him and been aware of his great contributions to the people's analysis of our time. Spoon's case, like Abu-Jamal's, was not fairly tried in court. There is a movement to help Spoon take his case back to court, some 30 years after the fact.

Through telling Swedish friends about Spoon, I have had some interesting conversations about the nature of American prisons systems. The Germans and the Swedes alike marvel at the lack of justice, at the way the courts seem to evolve around race and class, how those with the money have also the ability to hire the legal teams to take care of any problems and never serve time in prison. How, they ask me, can your courts sentence someone to 3 lifetimes in prison? What are the American people afraid of, they ask. Big questions, good dialogue. I definitely brought up Michael Moore's research, and many Europeans have seen his documentary film, "Bowling for Columbine" or at least heard of him. Moore's questions in 'Columbine' are some of the same ones we grappled with here: What are Americans afraid of? Why do they feel like they have to have a gun? Moore's film showed American media's obsession with the black man and the way black men are portrayed as frightening and violent. His analysis of American media was humorous and intelligent. Also he showed differences between citizens of the U.S. and Canada in response to personal health and home security. Moore proposed that Americans live with a deep-seated fear knowing that health care is expensive or inaccessible to them and that they can lose their home and be out on the street with no social or neighborly help if they happen to run out of luck. Canadians have universal health care and more social welfare, so they don't live with these fears. Living without some of these fears, Moore proposed, Canadians are not as likely to have or use a gun, or to fear their neighbors, or even lock their doors. Such was some of my conversation with Steffan and also with other Europeans.

So I left Steffan after dinner and coffee and great connection. That was all the time I had in Stockholm. I needed to take the 2-hour subway and train ride with 2 connections back to where Bo was staying at the teenagers' Waldorf -inspired vocational school so we could leave early, get the sheep trailer back to the rental, and get me to my recording session in the afternoon! The session was with a 17-yr-old musician named Marcus Ferrari, a student at the Waldorf school. More on that later . . .or maybe you'll be getting a CD with some of Marcus's recordings on it in the future!

I want to express my deep gratitude to Spoon Jackson for seeing my "realness," as he says, and for bringing me in to his circle of friends. I am honored and grateful to get to make this journey and bring Spoon's greetings and embrace to Scandanavia, so far away from my home in California, from Spoon's home at New Folsom Prison in Represa, California. Yes, it's called Respresa, CA. Thanks to Cheri Snook for her work on KVMR, Nevada City, which first brought my music to the men in blue in Folsom. I am grateful for the freedom to take some time for myself this year to reinvent myself and journey out beyond the familiar to discover more of humanity, diversity, culture, and good works all over. Thank you to all the people who continue to support my works and journeys, and especially for the magical music that keeps coming through me. Thank you all for feeding me and giving me a warm place to lay my little head, for the wild dreams that come in to my sleep, for all the love coming my way wherever I go! Thanks to Great Spirit, Big Mama, for all the gentle and hard lessons, all the mystical synchronicities, all the opportunites that look like problems and then remind me to learn and laugh. I'll keep learning and journeying to myself throughout my lifetime, but this was an especially good accelleration time to look inside and to watch myself move in the world, to represent myself, speak for myself, make room for myself, sing out, and record my experiences. Thanks to all the shimmering nature spirits I've encountered in my journey in Europe this summer, trees and rocks, ancient ones and birds, gardens and fields and sunsets and rain and lifetimes to celebrate! In the words of my new friend Concertino, "I laugh you!"

Diane Patterson
Sun, August 31, 2008 - 9:08 AM permalink - 0 comments
 
Mundekulla was amazing!!!!!! Wow, so together and so mature and deep and transformative. The very woman who picked me up from the train and has helped out on the Mundekulla land just in the last 2 years just emailed me that she's finally talked to her husband about needing to move out of relationship with him. What courage, and what community support and reflection! She said she came to her first women's festival there last year, totally sad and tired and at a loss as to what to do. While at the festival there, I offered to lend my ear, and we had a great sister session on the second day of the festival!

But I arrived at Mundekulla totally exhausted. My plane from Berlin was delayed by 5 hours, so I arrived in Copenhagen after midnight and spent the night hanging out in the airport there with a cool American musician and 2 very sweet and respectful partying Lithuanian teenagers! Not bad at all, I must say. And then the morning train took me over the big bridge from Denmark to Sweden, three hours, to the countryside near the East Coast. Mundekulla is the vision of Anne and Peter Elmberg. Anne had envisioned getting land and establishing a retreat place for many years. Then she met Peter, a musician and dreamer himself, and they have now birthed a beautiful retreat place in the neighborhood where Peter grew up, and all with support from Peter's parents, Irene and Bernd. There are three big, old beautiful buildings and one big new one they built from lining up old caravans together and building a second-story performance space on top with a pointy, Swedish roof. It looks really classy, all insulated with different sustainable fibers like hemp, cork, linen, and fitting in nicely with the style of the old builings that were already there.

I had time to settle in and have a meal and a coffee time and a little tour of the buildings with Camilla. She was on Big Island in January and February at COCO's, where I met Peter and Anne Elmberg and did two concerts. Camilla is a Swedish goddess who plays a frame drum and sings earth songs. She spent part of last winter at Mundekulla and is also a talented chef. Camilla greeted me warmly and showed me where I could sleep. I tried to nap but was too excited. Also, my roommmate Ageha from Denmark came in with all her musical instruments and stuff. That was a great pairing. She does meditative music with computer mixing and live Tambor, autoharp, and singing bowls, and many other instuments. I supported her on her set Friday night by making a pot of Chai for all to share and helping her move her instruments. She loved it, kept telling everyone all weekend about the Chai, which was so funny because many of the Swedes had never heard of Chai.

But my performance ended up being around 10:30 pm on the night I had only a couple power naps in the airport. The Lithuanian teenagers, delightfully under the influence of Bacardi Pineapple Coolers, guarded me while I slept on 6 chairs that they and the American guy Peter had pushed together for me. I was tired but inspired, fully loved and supported by new friends met on the journey and fully handing it all over to goddess and Swedish faeries to do the magic for me. There's something about being very tired that allows me to let go and wear my heart on my sleeve and get out of the way for the angels to sing through me. Oh, and the song Intuition with the slide guitar really sang at the end of my set! The audience was so full and present and listening to my stories of Shekhinah and Dineh grandmothers and travels in Berlin and fingers squished in the door at the goddess craft faire, that now seems a lifetime ago, and that got me to start playing slide because I couldn't chord my guitar for 6 weeks! The Swedish audience went all the way there with me, traveling with me on every prayer and every arrow launched with my peaceful warrior's love bow, landing like lullabies and rockin' folk song offerings for the Swedish land.

Good thing Bhima insisted on sending 30 Cd's instead of 20. "You're gonna rock those Swedes," he said, and sent a package of sweet things and 30 Cd's that were pretty much gone by the end of the festival, traded for Swedish Krowns, colorful paper money with images in purple and pink and orange of Swedish queens and authors and a fairy tale boy who rode a swan all over the Swedish countryside. The boy was mistreating the animals, so a gnome put curse on him, shrunk him right down to size. It's actually an old geography lesson book from Sweden, and in the story, the boy character flies with the swans on their annual migration, beginning in the South of Sweden and circling over the whole country, seeing all the towns and hills and lakes and fields. In every home in Sweden there are gones, Zwerge in German, some sort of Faerys or Tomtoms that guard the house. And at Christmas time it's neither Santa Claus, nor the Christmas Man as in Germany, but the Tomtoms, the little people, who bring the presents. But the boy in the story, Nils Holgerson, learned to respect the animals and the little people. And on the 20 Krown note, he sits ever so tiny on the back of a swan, gliding over a Swedish farm.

The festival organization at Mundekulla is beyond comparison, and part of that is due to being small, about 350 people, 10 years old, and alcohol and drug free. Plenty of intensity, deep workshops, deep music. Very little trash was generated. They had very light-weight wooden forks and knives that were then composted, and all the dishes in the cafe were washed by hand. The cafe had cake and coffee available all day and into the night for 4 days! I spent a lot of time in there, writing and sipping. The music: Boushra, gorgeous Moraccan-Swedish woman, Queen of Soul, rocked everybody on Saturday night. Andre De Lang, originally from South Africa, did a super soulful set on Sunday night. And he also sat on a panel on Sunday afternoon called The Power of Music, with festival producer Peter Elmberg, myself, and Anders Nyberg, who is a musician, composer, and international activist involved greatly in South Africa, married to a South African, though he's originally from Sweden. Great people, many magical stories about music and social change. A sweatloadge was built and used and then taken down at the end. I did a shamanic drum journey with a huge group, just practicing trying to get my mind out of the way, really. There were workshops on singing, guitar, healing circle, climate change, women's circle, and many more. Every morning Peter and friends led a super-sweet singing circle outside for the whole festival group. I invariably ended up intears at the joy of seeing people blissing out, holding hands in circle and singing together Peter's sweet songs of trees and love and connection between people. I had an experience suring a song that went something like, "I remember seeing you before, in another place, maybe in another time. But the feeling is the same, love in my heart, peace in my mind, happiness all the time." We went around the circle singing it over to different partners. I came face to face with a woman whose face I really didn't even see. As it happened, I looked into her eyes and saw the eyes of my dear Bhima, and I started to cry and sing and dance with those eyes, and the song felt just right, and Bhima was there! and I was so at peace and delighted at the magic of my life.

That was Saturday morning, and Saturday was amazing at Mundekulla. During the day a woman came to me and said her daughter was greatly affected by my music and presence. The girl, Sigrid, 13, feels different from other kids her age, sees things they don't, is a musician. Sounds like she saw herself in me and was validated. She's inspired to play her music and keeps talking about me, her mom said, and that she saw all kinds of things when I played. I definitely walked away from that conversation with tears in my eyes. Very sweet family, mama, papa, and daughter. I got to sit and talk with the mama again on the last day of the festival. She is a professor of psychology at the Karlstads University in Stockholm. The mama, Anette, also studies runes and Norse mythology, which she said very few people in Sweden are interested in, and she was delighted to see my interest and to hear more about Shekhinah's work, specifically with runes. (She has occasionally watched on the internet lectures given at Esalen Institute on various psychological research!) She mentioned Valhalla, which we are often told is a warrior's party after-life place. Anette says it actually means Place of Choice, (Val is Choice; Halla, hall, room, place). The Norse believed we went there when we died, that we would run hard through a long hall, till we dropped, and then, based on the life we'd lived and our karma, we'd have some choices to make about our next incarnation. And then we'd be reincarnated.

On Saturday night we had a stunningly beautiful pageant of candlelight around the tiny lake there. The 350 people attending Mundekulla each held a long, blazing, white candle stick, and all walked out to the forest and back in around the little pond. I waited in the shadow with my guitar, though the full moon shone bright, rising, and slowly eclipsing before our eyes! It was the most amazing thing! As the people approached, the flutist began to blow, the didgeridoo sounded, the singing bowls softly rang, beckoning. The burning candles ringed the water, and the moon continued to disappear in the quickening of the total lunar eclipse. Then the drums slowly rose, crescendoed and stopped. At that point I stood, and, in the waning moonlight, strummed my guitar. A dancer hidden on a tiny island in the tiny lake stood, dressed in red and ringing cymbals. I began to sing slowly, Earth my body, Water my blood, Air my breath, and Fire my spirit. . . . until I heard the people's voices coming back to me, and the dancer swayed and rolled her hips to the rhythm of 350 people singing their hearts to the elements. Peter led me, leading the people, around the pond, doubling back on eachother, and up to the concert hall for Andre De Lang's sweet singing and powerful music, the moon now fully eclipsed. I can only say that I've never seen anything quite like that candlelight by the water, the moon eclipsing in ritual, and singing, the hearts circling around a heart-shaped pond at a peaceful gathering on well-loved land in Sweden, no less!

From there I came here to Eckbakka, the Oak Hill, a German-owned farm in Sweden, with the sweetest people you ever did meet. There are about 100 animals on the land, mostly sheep, pigs, and goats, plus two dogs that look just like my little girl Mesa who we rescued from Big Mountain, Roberta Blackgoat's place, back in 2000, chickens and ducks, and some random cats. It's perfect for me, because I'm delighted to be in Sweden, experiencing yet another land, people, culutre, beauty, but I wasn't finished speaking German, which they speak here in the home! These folks moved from Hamburg 8 years ago. They had vacationed here and basically fell in love with the people and the land. Their youngest two boys, Anton, 13, and Jonathan, 7, are in the local Waldorf school. All schools in Sweden are no-cost by law, great because Waldorf can be expensive. Katrin, the mama here, who looks 35 though she's 45, is a textile teacher at the Waldorf school. She tells me the teachers are learning to teach through their hearts. She says the Waldorf stuff can be so heady, so intellectual, that the teachers can lose sight and just come too much from the head. I went in to the school on Tuesday and sang and spoke for the teenagers. They seemed really into it, really listened, as I told them of my traveling life, singing for the elders at Big Mountain, the prisoners in New Folsom, and for the ancestors and the land wherever I go.

Some say the Swedes are closed and have trouble accepting foreigners, and have a special negative attitude about Germans, left over from The War, you see. But Katrin and Bo Schwere, who own the old organic farm here for 1 and 1/2 years, are in their mid 40's and speak Swedish now, and have 5 boys who all speak Swedish perfectly, and are great community people. They are living alternatively in a country where it's hard to find much alternative anything, medicine, whatever, and organic food is finally starting to catch on. I hear there can be a lot of pressure to conform here, to look and behave like everyone else. But here on the farm there are Woofers from England and Japan, Austria and Germany, and me, the American girl, the little medicine woman with the big songs and little leaves of sage to burn. Ironically I did my first Native American-style sweatlodge here with Katrin and Bo, who were taught by a Crow man from Montana, Ben Cloud. So beautiful it was, so much sweat and singing, drumming and letting go. There must have been a dozen of us in the lodge, family, friends, old and new, Hey Ya, Earth my body, warm, hot, bliss, heal.
Love,
Diane
Sun, August 24, 2008 - 2:22 AM permalink - 0 comments
 
Today is my last in Berlin, and it's been nothing less than magical, divine, challenging, flowing, musical, mundane and mysterious.

My new friend Andrea took me to breakfast today at the very cafe that I first played in front of. Beginning and ending, on Mariannenplatz.

I landed here on July 2nd and was whisked away to the countryside by train with Tobias for some grounding and connecting there. A few days later I came back to Berlin, again on the train, with Ofer Gulany, to spend the Saturday busquing in the streets. Ofer is an amazingly talented songwriter and peace activist, originally from the states, and Isreali by culture and Dutch by current homeland. He tours with his music, resisted the military as an Isreali youth, and has a family in Holland. I hope to work with him more in the future, but it's no surprise that one of the first stops we made with Ofer's battery-powered amplifier was on Mariannenplatz in the coolest area, Kreutzberg, right in front of the cafe where I just had my last Berliner breakfast till probably next spring. Andrea and I met to discuss possible tours through Italy next spring and then Germany in June. Anything is possible, especially with the support of friends!

My time staying at Lohmühlewagenburg has been very grounding. It's so sweet, a big, mellow garden in the middle of a raging city. I stayed in the tiniest gypsy wagon there, maybe 6 foot by 6 foot. It's covered in blue and red and black graffiti, has a wee stove in it for staing warm in winter, and a little 2-burner stove. Candle light makes it bright and cozy. I think I forgot to sweep again on y way out, damn. I brushed my teeth outside and spit in the bushes, just like home in Mendocino hills. Mmm, nostalgia. I had enough room to do yoga in the tiny wagon, since of course I'm quite used to caravan/motorhome living, and yoga is a big part of life!

The Löhmuhle inhabitants do laundry and bathing for no charge at a spot called Heilehaus, Healthy House, about a 10 minute bikeride away. Tuesdays and Thursdays are women's days, and Friday and Sunday are mixed, so I went twice during my stay, and that was fine. The second time I had the place all to myself and took the most luxurious bath in a deep tub with very hot water. Wow, I needed that. (Esalen, Benjamin, I miss you!!) But the first day there was funky. It was Sunday, a mixed women and men day. Some guy with decent energy asked me if he could borrow my hair conditioner, I let him. But when he gave it back to me, his hair was dry like he hadn't even washed it, and his dick was standing up. He even asked me what conditioner was for, after having borrowed it. I'm answering him and slowly getting it what he was up to. Hmm. Mixed day, OK. I walked around thinking, "What an asshole," about that guy for a couple of days. But whenever I got that feeling I would stop myself, because the thought was really negative and didn't feel good. So I'd think to myself, 'His Karma,' and let it go. His karma. Funny story.

But Heilehaus is cool. They offer a really great service. Besides Mr. Funny, it was a small and easy crowd there. Clean, helpful. And the place offers quite a few other such basic needs-type services to the community.

Lohmuhle was great, quiet, lots of dogs, a big hand water pump in the middle of the green place. The water pumps into a big claw-foot tub, and i used that water for dishes and for washing my hands and watering the trees around my caravan. The trees right next to my guest wagon looked dry and thirsty. I left plenty of tobacco offerings there, and even a bunch of my hair, as I had a fun evening by myself with the candlelight and the mirror maintaining my punker doo. I got to do some songwriting and practicing, there, and good thing, because I just heard from the festival in Sweden that they want me to play tomorrow night, Thursday, the day I arrive. No time to ground in. Rock and Roll! No problem!

My experiences have been vast, at least for my personal experience, and it's been hard to imaginge putting them into words. The streets here in Berlin romance me. I pick up bird feathers all over the city, especially when I walk along the canals and the river Spree. I saw a painting at Harald's place in the country here that has inspired me to collect the feathers for a wearable art project. I tuck the little grey wing bits into my journal and hope they make it back to my Turtle Island home, so long from now.
The travel is good, expanding my soul, making me appreciate anew the beauty of friends who know me well and long, deep hugs of community and music and places and faces I love. My dear friend Jesikah from way back UCDavis days gave me an excellent read for this trip, The Art of Pilgrimage. It's almost time to read the part on reaching the goal/destination of the journey. Maybe when I get to the gig in Sweden, will I be ready for that. There is so much work to do on my inner strength, my knowing of myself, my journey to self-love and self-care. It's subtle. My little medicine woman wants me to hurry up and learn my lessons so she can be her highest self, her greatest contribution. I am that!

The songs want to come out, to have room to emerge, and much, much inspiration is there in this journey. I have journaled a book and bought another to fill.
The moon in waxing and sits very low on the horizon here at this spot on the globe, which seems to be across from Vancouver, in relation to North America. I've seen the moon only maybe three times this whole month and 1/2 in Germany. She sits low on the horizon wa up here in the high Northern Hemisphere, and the buildings in Berlin are tall, though the streets are just right, not too wide, not too narrow. Now, while the moon is weaxing towards full, a group of my German friends are in the country on the earth, dancing and fasting in prayer, in something they call Lifedance. It's inspired by the Sundance of the Lakota and is a four-day, intense prayer, supported by many singers, drummers, cooks, families, camp makers, and organizers and mamas. My big sister here, Ulrike, has organized this for the last three years, and before that, she actually assisted a Native American man in bringing Sundance to her German community for several years in a row.

Ulrike is a powerful song-carrier and -channeller, and a sweet life-lover! She has long silver-blonde hair and holds her jaw way too tight, I suppose from just over fifty years in this world. We are blessed to have met, thanks to Harald. Having just been in Spain to see the 13 Grandmothers group on their first trip to Europe, Ulrike says her favorite grandmother is Agnes Pilgrim from Takilma, Oregon, (One of my home towns!) and wow, she was mystified to know that I had been to some of the same gatherings as Aggie Pilgrim, forest defence action and Earthdance, etc. Maybe Ulrike will be able to come to California next summer, when Ms Pilgrim says she'll be hosting the 13 at her ancestral home in southern Oregon.

My favorite moment with Ulrike was when we traded a song each. She told me of the Elderberry flower jam she makes every spring. The berry is called Holunder in German, and with its magic is the Light Goddess, Hola, from the North. Ulrike received a song of healing words and melody from this berry, and from all the colors of the people and goddesses, red, black, white, and yellow. Ulrike has moved away from Sundance and toward Lifedance in an effort to seek and share her own ancestral culture, stories, and magic. And this she is doing. She loved my song Eagle Feather and the stories of the Dineh grandmothers at Big Mountain, their resistance, their weavings. Ulrike gave me a blessing of some of her water woman medicine, in the form of a beautiful white swan feather. One sees swans floating through the canals of Berlin all the time. So graceful and light . Even when the bread crumbs were flying I saw a swan gracefully spreading its huge white wings in that cupped in fashion they have. Divine.

I've met a wonderful woman here with information from the divine for me, just one of many, many sources of information, but one nonetheless. She is, however, quite informed by Christianity at this time in her life. I mention this just as a note to one of the challenges on my journey. I am reminded of the limitations of thought. When one thinks they have answers that others don't have or that they are privileged because of their religion, or chosen somehow, up goes the wall. I said so, and she listened with respect. I try to stay open here, knowing we are all equally precious, all learning just what we are supposed to in this time, in just the WAY we are supposed to.

I saw a woman on the street in a full-body, huge, all-black, flowing burka . . . the only one I've seen here in Berlin, or ever, on a living woman. There were three kids bobbing along aroud her and a man pushing a stroller, I assume with the fourth child inside it. Wow. We are all so different. And what we find holy is also so different.
Give thanks for diversity! The spice of life!

The Fuck Parade was full of freaky people. Excuse the explicative, but that's the name of the alternative crowd's experience in response to the Berlin Love Parade, a huge, moving party in the streets, which happens every summer here now for I don't know how long. The Fuck Parade started out on a bridge with a party of all the various punk fashion statements I could ever dream of. (That must have been the inspiration for all the self-haircutting I did the next night by candlelight!) There were at least 100 cops present, though the atmosphere was very relaxed. We did see one kid in a paddy wagon, all alone, no community looking out for him or calling attorney support. This led my friend to believe it was more of a party than a demonstration. There were a few political speeches at the start, and then a long dance through the streets and an all-night raging party, parties.
Just a few reflections, so fun to share, and I'm off to Sweden.

Love!
Sun, August 17, 2008 - 11:44 AM permalink - 1 comment
 
Went to sleep at 4am here Berlin time and woke at 8:30 with my head so full of stories I couldn't get back to sleep.

Yesterday was so very full and astonishingly beautiful that I have to tell it so I can rest! I started with yoga and felt much better after that. My body is getting stronger and stronger, carrying my guitar in its heavy hemp case and biking around like crazy, but I have to stretch to stay happy and flowing!

I took off from the current all-women house I'm staying in and, because what I had planned wasn't happening, ended up outdoors in the thick of it all at the super-cool cafe I'd been eyeing for weeks now. Joy! It's called Cream. They served me the fattest, fluffiest, most delicious cappucino I've ever had, and I worked on some translations of my songs that I'm preparing for a concert on the 3rd of August in the countryside. It'll be super sweet for my all-German audience to have my lyrics in-hand, in English and German. I'm definitely getting help with the translations, so it's like study time.

After a couple hours of cappucino heaven, Derrick came by to meet me for a stroll through the park and a picnic. Derrick is really cool, grew up a Catholic girl playing music at mass, just like me! He's from South Germany, and he says Catholic school was fun, full of music and friends. But he's suffered a lot from depression, partly heaviness from parental pressure. Namely, his father was so judgemental o fhim that he has a hard time believing in himself still, though it's getting better. We talked about cellular change and taking power over our own lives. He's found that his health issues really let up when he's not smoking, but continues to smoke. I find that I feel better when I eat light, but I often eat heavy. (Overeating causes the body to age more quickly. Look out!) Personal Power. We are the masters of our own destinys. Or, as my Berliner friend Boris taught me, an old German saying: Everyone is the blacksmith of their own luck.

Derrick and I picked up some hummus at the closest Turkish market and walked in to Görlitzer Park. Lots of kids were hanging out, West African men in groups there usually, lots of Turkish families later inthe day. The sun came out strong and browned my shoulders. We had a great meal with tomatoes, bread, and cucumber that Derrick brought, and then I started to play some songs. Derrick loves my music, so he kicked back while I played new songs with the slide and navigated my way through some Shekhinah Mountainwater-inspired tunings. After a few songs a group of nice folks with guitars came over to jam, and we played in the sunshine. It's been raining the past week in Berlin, so the sun was especially welcome.

This guitarist Donnie and I started talking,and he's also had much depression and mental challenge and self doubt, citing heavy pressure from his mother as one source of difficulty. Both he and Derrick agree that the Germans have something heavy to deal with in both their culture and in their difficult history around the Holocaust. I mentioned, that for any American paying attention at all to what the U.S. is doing around the world, we may have THE SAME SADDNESS, regret, guilt, and frustration. Violence, genocide, war, radiation-laden weaponry, economic domination and repression, stealing of resources, etc., etc., are tarnishing the once-beloved American name. And worse, creating devastation for people and environment globally and a world of bad karma for all of us Americans locally. They understood what I was saying. Europeans tend to know more of what the U.S. is up to than Americans know, on the average.

Of course, many Americans are spreading love, care, working hard to make a difference in a positive way in this world. I like to count myself among them.

By 5:30pm I was ready to relocate. I rode to my favorite sweety pub, Johannes Rose, right on the edge of Görlitzer Park ,and 2 doors down from the Free Palestine grafitti that originally drew me down that block. Did I already write about the Neo-Nazi kids here and how they wear the black and white scarves identified as Pro-Palestinian freedom? It's true, and I'm sure it has nothing to do with standing up for anyone's freedom, but the Neo-Nazi kids identify with the Palestinians simply because the Neo-Nazi kids identify as Anti-Semitic. Sadness. I know our job is to continue the music, joy, film, theatre, art, creation, love, bridge-building poetry, earth-love, gardens, bicycle-riding, whatever positive pursuits can fill the space for the youth, leaving them no time to focus on hate. Yes.

Back to Johannes Rose, the pub with the big cherub on the bar that's blowing a kiss at you when you walk in the door. I've played a lot of music there already, and yesterday it was a good 2 hours. I play pretty softly, like the stereo is on, creating a vibration and dropping in songs like Mountains of Things that gets somebody every time. Thank you, Tracy Chapman! This week Jutta the owner/creator of thebar, and her boyfriend are taking a little vacation from Johannes Rose. They welcomed me warmly when I first walked into the comfy livingroom atmosphere, piano, Soul Gallery upstairs, mellow baristas and free tampons in the bathroom. (I happened to be on my moon that first visit!) I had a fantastic beer there yesterday, Franziskaner Weissbier, sweet, and orange-colored. The brand new barista, Daniel, wouldn't let me pay, and instead gave me a Euro in appreciation of the music. I think he was moved to tears hearing Mountains of Things, kept putting his fingers to his eyes in a downward motion and telling of the first time he heard it when he was 11.

After Johannes Rose, I ventured north over the Spree River, by Schlesisher Tor, over the Warschauer Bridge, with lots of other bicyclists, to Friedrichshain, another super fun part of town, former East, to check out a bar that was recommended by DJ Oliver. Discovered a whole new neighborhood on the way, fascinating. I'm reminded of our daughter Alex's experience in Europe in summer 2004. She looked out of the train window as we rode past Brussels, Belgium, and she said, "You know, I knew there were big cities all over the world, but I didn't really get it that they are FULL of PEOPLE!" See, in the summertime, much of Berlin, and much of the world I'm sure, happens outside, and one can really see life going on, commuting, eating, working, talking, drinking, vacationing, living.

I checked out Cafe Stedal, Oliver's suggestion, and that was fine, nice guy at the bar, just a few tables outside with people drinking, but empty inside, as all the spots were at that time, dinner time, warm, very light out, not dark here till 10pm. The bartender said they'd be glad to have me play there, just try coming back tomorrow night for the jam session, or anytime later in the day. It was about (:20pmwhen we spoke. Afterwards I cruised the area and at one point was completely astonished, stunned at the vastness of the cafe scene, with long blocks going on and on and on, full of cafe tables, Italian, Turkish, Indian, German, funky, sophisticated, cheap, expensive, wine, espresso, motorcycle style, Mexican, Thai, Japanese, hipster, family, ice cream, breakfast, cake! Hundreds and hundreds and another block and around the corner and down the street and up the next blocks! My eyes were wide as saucers. I had to park Jason's bike and walk up and down and streets with a grin on what was left of my face with my jaw hanging down to my waist. I tried sitting down a couple times, actually sat down at a little table once, thought about ordering a plate of cheeses with tomatoes and olive oil and basil for 3.50 Euros, or a glass of wine, but I couldn't get too excited about enjoying the moment by myself. I said to myself, "I want to meet some new people. Who will I sit near and strike up a conversation?" But nothing and no one drew me in. I decided to go back to the grrrl house and write or visit there. Excellent choice.

The bike ride home was stunning! I found myself along the Maybachufer canal banks watching huge white swans drift along as kids and people sat and walked with bikes and beers and candles and hung out along the banks in the fading light. It actually felt like I was at the Oregon Country Faire. And it's not the first time I felt the faire here. The magic is so alive, and something about the light on the forested path as the sun is sinking and the warm night full of possibility. I am everywhere.

ahhhhhhhhh. breathe. sigh, stretch. smile, joy to share these images. i still travel without a camera.

Most folks I've met here speak English with me. Understandable. Carrie, who lives here at grrrl house #2, speaks German with me. Yes! So good to use another part of my Brain! So I got to speak with her,and she asked meabout my music, wanted to hear a CD, we put one on, she gave me 10 Euros for it, which was very convenient since the ladies are charging me 10Euros a night to stay here. They need the money. Later Elizabeth came in, gorgeous tall woman from San Francisco, met her through another friend from California here in Berlin. But Eizabeth wasn't warming up to me, definitely she's maxed out form German language school, renovating a new trans/bi/lesbian/gay center in town, stressing on joblessness, and nursing a tiny baby sparrow that fell from a tree in the park. Turns out, I bring up Derrick and how I didn't get to talk with him as much as I wanted to about him getting to be a boy now and how wonderful that must be, and Elizabeth got confused and wondered why I was interested in what it would be like to be a boy. She had just made the transition away from being a boy over the last two years. I think it's hard to warm up to people before you knowhowopen you canbe,with such abig journey onyours hands, so to speak.

Wow. Beautiful, the most courageous thing a person can do in this world, I think, and I always say so, because I know it's a hard journey with society, family, expectations, complications, hormones and operations. Friends need only be loving and supportive. And speaking of that, I am writing these stories in innocent wonder and joy of journeys made, without permission and with names changed. So take it all in, dear reader, with compassion and love, with the distance of a story read in a book about people you will never meet, so that we can have these amazing stories without causing any further wounding to the fragile hearts of those seeking simply to feel at peace in their bodies and genders. And don't most of us take that feeling for granted!?

Wow, the many layers of the day! Since I'd had coffee with Carrie at midnight, I put on Michael Franti's beautiful Yell Fire CD, with all of his heartfelt songs resisting the Iraq occupation, and did some more yoga. Yes! I get into the warrior pose and pull an arrow out of my quiver with a deep inhale, breathe it out over the bow, breathe in the bowstring pulled tight across my heart, and release that arrow, back to the home heart waiting for me in Cali, the fire I tend in my prayers, in my gratitude for magical, mighty healing, in my offerings to the trees and spirits here, in complete amazement at the layers of depth and beauty, holding me at every moment, goddess sent, divine, I am so worthy.

They don't bid each other a safe trip home here in Berlin. It's just safe here in Berlin, according to my sources. So, enjoy!
Thu, July 24, 2008 - 6:24 AM permalink - 0 comments
 
True Love Waitz, says the grafitti on the wall at the gypsy caravan community, LohMuhle Wagenburg. The land sits up against an old train bridge in Berlin's cool Neukoln district. There were many, many of these communities on bare land with little trailer-sized gypsy wagons parked together in the open time after the Wall Fall, early nineties raging with art and party and squats of all shapes and sizes. The land holding 18-year-old Lohmuhle Wagenburg was just sand back then, and the folks who parked their wagons there planted trees and flowers and vegetable gardens, put in a water pump that pulls water through the sand from the canal, and generally set up living, art and performance space. Eighteen years later now, it's sweet, green, welcoming. On Sundays it's cafe and music there, usually live music, but somebody was out of town, and I showed up by myself on a borrowed bike with my huge hemp guitarcase on my back, drawing interest and pouring myself a self-serve cup of coffee for 50 cents.

Alfredo handed me the cup. He's 40, Italian, handsome, present, has a super sweet little wagon there and has been there for 7 years. He told me the history I've given you on Lohmuhle Wagenburg. Lohmuhle is the name of the street the wagon community faces, and it means 'low mill.' It's definitely at the water level.

I spoke with Alfredo, answering questions about my guitar, "What's in the case," where I'm from and what kind of music I play, and Alfredo said I could play there if I wanted to. "Tolle," I said, a German equivalent of "Cool," and glanced over at the DJ set up under a nice patio umbrella, with 2 turntables, right next to the outdoor coffee and beer bar. After a while I struck up a conversation with the DJ, Oliver, and spoke with him a bunch about how I appreciated the mellow downtempo beats and jazz selections he was spinning on vinyl, low volume. Sweet. He really dug the complement and kept asking me if I still liked what he was playing. He's from Hamburg and prefers the vibe in Berlin, living here for some years already.

Then I had a long conversation with another German guy, who I thought was Italian because of his accent, and who spoke English with me. He also knows fluent Spanish along with his Italian. Andreas was also very interested in my music.

Time passed and Alfredo returned from a phone call to his parents in Italy, and then he checked in with the folks using power tools in the neighboring tent to see if they wouldn't mind taking a break while I played a little acoustic music. It all flowed together, and maybe an hour and a half after my arrival, Alfredo set me up a high bar chair out front of the bar. By then, the maybe ten tables out on the open space between bar and performance/movie tents and train bridge in the back, had all filled with people. I took my guitar out of the case and tuned up at the DJ booth with Oliver, who said to tell him when I was ready and then stopped the recorded beats at the end of a track.

I sat down to play The River and was happily applauded by the whole scene, so I happily proceeded to play Eagle Feather, Pachamama is Rising, Further, and Box of Change. I introduced myself and the songs briefly in between, speaking in German, as I can say more in English, but surely less will be understood. Great time. Dogs played behind and around me and people sipped German beer and Club Mate' from bottles and got cups of coffee and drummed their fingers and watched me do my California thing. I say I'm from Cali and I always get a reaction: OOh, It's hot there, it's burning there, it's great there, where in California, how long have you been here? They assume I've been in Berlin for a long time because I speak German. It's rare for Americans to speak German, I guess. Jason, the activist I wrote about, speaks German he learned here just living and also taking courses. His German is different from mine. He's got a lot more vocabulary, and it's in global and political and community realms that he uses in his global organizing. Mine is from my time in a home in Northern Germany, immersed. So my accent is very good and I have perhaps more idiomatic phrases and natural flow to my speech, though I quickly get in trouble searching for words.

But back at the caravan community, another guy behind the bar took my hat around and got me some righteous donations, and then two people gave donations for CD's, including a young artist living currently in one of the guest wagons there. Jasmine is a really good painter. She must have been inspired, because when Alfredo took me for a short tour around the land, we passed her working on a beautiful image, gorgeous faces and colors, warm.

I conversed before and after my acoustic set also with Andreas' friend Ralph, a German living long in Berlin and traveling to warm places in winter and biking to nudist-friendly spots on lakes ringing Berlin. A good hippie, he's also an indy documentary filmmaker who went to New Orleans and taped lots of footage and interviews. He filmed me playing there on a simple little camera and later that evening handed it to me on a CD. Cool. Maybe I'll get help to put it on the web for you somewhere. Audio's bad, low; but image is great, unique, downhome gypsy caravan.

I left Lohmuhle after being there for 4 hours, and with about 45 Euros more than I arrived with! Give thanks!

I headed out on my first cross-city bike journey, up through Mitte -middle- by Alexander Platz, and by Prenzlauerberg, to Schokoladen, the radical punky collective bar art music gallery theatre space. It was the 3rd day of their 18th annual Hoffest. That's a big party out in the old crumbly brick courtyard that's usually pretty junky-looking, but that looked great filled with people and three bars, a big sound stage with numerous bands throughout the weekend, an ongoing wurst and steak barbeque, and Schoktails like mojitos. I finally arrived on the evening of the 3rd day, so much happening for me, and staying across town with Masao Sato's friend Ariel Shlesinger from Israel. Ariel is really cool, about 30, an inventor, I'd say, and a very artistic photographer. He lived in Santa Cruz 10 years ago and worked with my friend, musician Masao, doing Masao's traditional Japanese architecture and construction.

Schokoladen raged on Saturday night, I heard, and a thousand folks packed the Hof and listened to the bands play, even through the light rain. I missed the bands on Sunday but got to see how beautiful the Hof was, all lit up with lights on strings as it slowly got dark around 10:30 pm. The bratwurst barbeque ended and shut down JUST as I walked up to get a protein blast. Damn.

I actually stepped out of the Hoffest with Ralph for about an hour. He's interested in my song, Katrina, for his documentary, so we rode bikes 3 minutes to his place and filmed me performing the song along with a short interview. Then a young guy from Austin made pasta for the 7 of us, me and 6 guys, and then we all returned to the Hoffest after eating. There I got to speak with Sandra, who is always working the bar when I stop in, and she asked me if I'm ever not smiling. Hah. I told her about the raging migraine headache I had last Tuesday night after a huge day Monday traveling to the country on the train and then digging a garden bed and wheelbarrowing compost and 4 or 5 hours of lovingly forming a terrace bed in the sandy pile outside of Tobias' gypsy wagon in Belzig. I didn't drink enough water that day, drank a LOT of coffee trying to wake up from time changes here, then slept in a moldy tent and woke up feeling off. I sauna-ed at a super upscale German spa and again didn't drink enough water. Worst headache ever. Had me up all night swaying myself into a trance and visualizing my favorite people holding and loving me. It worked its way out by the next afternoon, not before I barfed at the base of some really cute German trees and generally spent half the day feeling green. OK! More than you ever wanted to know about the real life adventures of a wandering Sufi Bliss Grrrl.

The winding labyrinth is treating me very well, especially when I remember to wind. The direct path to the pastries is not usually the most interesting. The most beautiful and memorable German breakfasts happen when I least expect them. The garden at the Old School, Alte Schule, was my very favorite breakfast spot so far, all by myself and surrounded by faeries and sprites and a naughty little cat, Venus on the half shell sculpted on the lawn, apple trees full of small apples and small elves, good places to leave tobacco and crystal offerings in hopes of a magical and well-attended concert outdoors in sunshine there on August the 3rd. Harald is managing the project on the Old School land, booking and promoting concerts there. He's a very good brother, putting me up for days in his one-room apartment a few minutes' walk from Old School, feeding me and putting up with my bed on the floor taking up most of the room in his little flat. Fun times.

Harald and I traveled back to Berlin with his friend Johannes on Friday to go to a song gathering in Berlin. Dang! There was a group of light-hearted alternative folks singing Indigenous North American-inspired songs and playing frame drums and celebrating the summer season! . . . my pagan sisters and brothers in Germany! My People! High on the 5th floor with a view of the street where the Wall used to run down the middle. Crazy. And Ulricke, the mama and song carrier there, is now off on a trip to Spain to see the 13 Grandmothers on their first visit to Europe. Wow, the circles are spiraling in. Of course I told Ulrike of my connections to the 13, my respect for them. And I happened to be wearing my Hope Mountain Barter Faire shirt, saying Takilma, Oregon, on it, which is the home of Ulricke's favorite of the 13 Grandmother, Agnes Pilgrim, a Takelma elder from right there at Hope Mountain. Wannsinnig. Crazy.

Loving Life,
Diane
Mon, July 21, 2008 - 9:04 AM permalink - 0 comments
 
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H. H. The Dalai Lama

Loving His Holiness at the Rally For Tibetan Freedom San Francisco April 8, 2008 photo by cindia rose
 
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