September 20, 2007
Caren is the type of friend that will take you to an italian restaurant so you can drink more wine and draw pictures of cats, dinosaurs, and mind matter on the table with crayons and join in because she's awesome like that. This one is surely an excellent partner in crime, she is seriously one of the funnest people I have ever hung out with, always up for some adventure or random goodness. This chick is with it and on top of the game at all times. That Caren, she's allllllllllllllllllllllllright!
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Alex Grey,
bassnectar,
Bop Camp,
Boston Festival Arts,
Boston Fire Conclave,
Boston Spin Jam,
boston-raves,
Chi-Burners,
Chilluminati,
Chiowago - Iowa/Chicago PsyArtists Unite,
Cognitive Science,
Conscious Choice Magazine,
Cryonics,
June 6, 2005
Adorable and brilliant. Talented and kooky. She was 'one of us' before we even met. This girl gets it.
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Gender
Female
Age
28
Location
about me
"In a mayonaise jar, I keep the tiny people I shrank with my magic. I didn't know they would hold hands and scream so sharply when I said, 'No, the spell is irreversible, do you eat grass or breadcrumbs?'"
(The Conjurer, by Maura Stanton)
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This is my new house...impatiently waiting for inhabitants. I will be moving back to Boston mid-July, and I am looking for 2 house-mates to help turn my empty house into a happy home. Please let me know if this sounds like fun :)
Wed, May 21, 2008 - 11:27 AM
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Black Rock City. I intended to intellectualize the experience. To go, to document, to consider, to be inspired. Instead, I found myself immersed so completely, so miraculously, that I barely took a single note. Except this:
Fri, September 22, 2006 - 11:01 PM
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*On the playa, your shadow points to the anti-sun.* It certainly does.
{An artificial echo machine was designed to exchange "clamore" for four echos: "amore," more," "ore," and finally "re." *}
Thu, March 23, 2006 - 12:49 AM
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(* "O outcry" returns as "love," "delays," "hours," and "king.") Aside from recurrence, revision, and commensurate symbolic reference, echoes also reveal emptiness. Since objects always muffle or impede acoustic relection, only empty places can create echoes of lasting clarity. Ironically, hollowness only increases the eerie quality of otherness inherent in any echo. Delay and fragmented repetition create a sense of another inhabiting a necessarity deserted place. Strange then how something so uncanny and outside of the self, can at the same time also contain a resilient comfort: the assurance that even if it is imaginary and at best the product of a wall, there is still something else out there, something to stake out in the face of nothingness. An echo, while implying an enormity of a space, at the same time also defines it, limits it, and even temporarily inhabits it.
The most obsurd encounter that I am able to recall occured on the second floor of the Mugar Library.
Thu, March 23, 2006 - 12:17 AM
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Not far from where I was seated, there was one of those old, unabridged dictionaries splayed on a pedastal. I decided to take a quick study break to select a word of the day...I closed my eyes, and opened the book to a random page. I put my finger down. [VARNISH]. My word of the day was a glossy overcoat. A finishing touch. An afterthought. I sat back down. A few moments later, in the heat of procrastination, I returned to the book. Another word? Why not. I closed my eyes, and flipped through the pages. I put my finger down. [OIL VARNISH, see varnish]. Allow me to clarify: this was not one of those bizarre coincidences in which I happen to reopen the book to the same page, and place my finger in the same place. No. This was [O], a different letter entirely. I was redirected. How many [VARNISH] variants appear in the old, unabridged version of the dictionary on the second floor of the Mugar Library? Three. [VARNISH]; [OIL VARNISH]; and [WOOD VARNISH]. Probability: approximately 1 / 1461430.
Remove the crack, remove the problem.
Sat, March 4, 2006 - 12:01 AM
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That's good advice, and universally applicable.
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